Smooth-as-satin playability and exacting construction make this accessibly priced slope-shouldered dread an understated star.
Super excellent playability and neck feel. Tip-top quality for the price. Beautiful Grand Pacific shape. Excellent value.
Harder strumming can overemphasize midrange.
$899
Taylor 117e
taylorguitars.com
Though I’ve never owned a Taylor from the affordable end of their price spectrum, they have brought me a lot of joy and inspiration over the years. My encounters with GS Minis and 100-series dreads whilst lounging on friend’s porches and tour host’s living rooms have inspired little riffs that became more elaborate things over time—all born from a casual hang with a flattop that was fun to hold, easy to play, and sounded sweet enough that I didn’t want to ditch the conversation.
The new 117e is a little extra special to me though. That’s because I love Taylor’s Grand Pacific body style. I adore its curves, its dimensions, its feel, and the way it plays with classic round-shouldered dreadnought shapes while arriving at something distinctive. The 117e is the first Grand Pacific to join the 100-series family. And its responsiveness and playability are quite likely to make it a favorite sibling. It’s a beautiful guitar that delivers a lot for $899.
Fine Tailoring
The designers and builders at Taylor are masters of delivering quality and consistency at an attainable price. That’s no mean feat. You can go through a lot of guitars while shopping for an inexpensive one and deal with a lot of compromises. Taylor’s batting average is impressive though, and the 117e is well-built even by Taylor’s high standards.
Though the back and sides are layered sapele you don’t really give the idea of “laminate” much thought when you look it over, touch it, and play the guitar. The torrefied spruce top is very pretty, with just a little figuring in the otherwise straight grain that adds visual interest. Though the 100-series appointments are simple, no-frills stuff, I’d venture the guitar is better for it. The black binding and black-and-white rosette enhance the Grand Pacific’s beautiful lines and complement the ebony fretboard and bridge. I wouldn’t mind having a look at this model with a tortoise pickguard—the black one falls a little flat to my eye. Then again, it contributes to the visual balance here, and anything that detracted from the Grand Pacific silhouette would be a bummer.
The 117e is built with Taylor’s C-bracing, an asymmetric, cantilevered pattern that was originally conceived to contribute low end and sustain to the company’s smaller GT-class guitars. Though, instinctively, it seems like an odd choice for an instrument with a top as expansive as this one, it succeeds in adding low-end resonance to an instrument that has a natural midrange emphasis. Plus, it’s just plain cool to see Taylor toying with design evolutions that mix up staid, if proven, acoustic construction formulas.
No Bum Notes
There’s no way you can’t be struck by the 117e’s playability, particularly given the price. My partner, who is a pretty ace fingerstylist, likened the neck to playing on silk sheets just seconds into playing it, and I’ve seen her get pretty ruthless with guitars she doesn’t bond with. She’s right, too. Though Taylor calls the neck profile “slender,” there is a just-right heft and thickness to the shape that lends a touch of vintage feel without seeming needlessly fat. The action feels fast and low and almost like a really nice electric guitar—especially between frets 1 and 7. Yet it is totally free of fret buzz, even when you strum with vigor, and the strings ring and sustain with the unmistakable feel of a guitar set up to near perfection. Intonation is also spot on and the tuning stability is excellent.
“The action feels fast and low and almost like a really nice electric guitar.”
The 117e’s tone profile is the one area where it pays to really play the guitar and weigh it against your preferences. Both the Grand Pacific body shape and C-bracing are meant to add resonance and low-end heft, and I’d venture that they lend much in that regard in this instrument. But, perhaps because of the layered sapele back and sides, there is an unmistakable midrange focus. The good thing is that it really only verges on strident when you take to the guitar like Townshend. In more nuanced fingerstyle situations or even strumming where you use a lighter touch, the 117e comes off as balanced, sensitive to picking dynamics, full of range and volume, and ringing with attractive and sometimes enveloping overtones. Those ringing, sustaining qualities also make it a great vehicle for acoustic leads. The Expression System 2 electronics, by the way, are reliably solid and sound lively if a touch midrangey at times. But I would also rate the system as especially well-suited for the detailed kind of playing the 117e invites.
The Verdict
Sure, $899 is not the kind of scratch most of us dig up by peeking under the sofa cushions. But in the contemporary scheme of things, it certainly falls within the accessible category, which makes the 117e a great deal and, in many respects, an overachiever. Another observation from my partner: “This is the kind of guitar you buy because it’s inexpensive. Then it becomes indispensable.” Again, I concur. This sweet player is genuinely hard to put down, and it will be hard to send this one home to the Taylor gang in Southern California. But when I do, it may be with a little request: How about a 117 12-string? I can already see that headstock mated to the lovely Grand Pacific body and hear it chiming away as we all jangle our way toward summer. Given the way this guitar is likely to sell, it doesn’t seem like too much to ask.
Day 12 of Stompboxtober means a chance to win today’s pedal from LR Baggs! Enter now and check back tomorrow for more!
LR Baggs Session DI Acoustic Guitar Preamp / DI
Inspired by the LR Baggs Handcrafted Video Sessions and our experience in some of Nashville’s great studios, the Session Acoustic DI brings our signature studio sound to your live rig. The Session DI enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. We’ve captured this studio magic and put it into a compact, easy-to-use DI that will transform your live sound.
With its ability to dial in custom reverb, delay, and chorus settings without needing any extra equipment and intuitive looper and Bluetooth audio functions, the TAG3 C is designed to make it easier than ever to write, practice, and perform.
Building on its brand legacy of innovation and creating many of the world’s finest guitars, the TAG3C TransAcoustic guitar from Yamaha offers an unmatched experience in sound, versatility, and playability to spark creative expression – making it the ideal instrument for the modern guitarist. The guitar features a solid Sitka spruce top and solid mahogany back and sides, available in natural(TAG3 C NT) or sand burst finish (TAG3 C SDB), and includes a convenient magnetic charging port to enhance its functionality and ease of use.
“TAG3 C is the ultimate tool for players looking to push themselves artistically. The ability to dial in custom reverb, delay, and chorus settings without needing any extra equipment is a game changer for creative workflows, and the intuitive looper and Bluetooth audio functions make it easier than ever to write, practice, and perform,” says Brandon Soriano, marketing manager, Yamaha Guitars.“Even with TransAcoustic technology turned off, TAG3 C is a fantastic acoustic instrument built with all solid wood and high-quality craftsmanship. TAG3 C is a no-brainer for the modern guitarist!”
TAG3 C is equipped with powerful built-in tech and effects including but not limited to loop capability with touch sensitivity, a rechargeable battery, Bluetooth capability, new and improved user interface, controls, and indicators. Guitarists can also access the TAG Remote mobile designed for enhanced control and optimization.
TAG3 C Highlights At-a-Glance
- Built-in effects: chorus, delay and reverb
- Built-in looper• Bluetooth connectivity
- On-board tuner
- Solid Sitka spruce top
- Solid mahogany back and sides
- Dreadnought-style cutaway with ebony fingerboard
- Available in natural or sand burst finish
- Superior acoustic sound quality
TAG3 C | Yamaha TransAcoustic Guitars - YouTube
Our columnist stumbled upon massive success when he shifted his focus to another instrument. Here, he breaks down the many benefits you can get from doing the same.
A while back, I was doing a session for the History Channel at Universal in Hollywood, California. After the session, I sheepishly admitted to some of the other session players that I was really getting into bluegrass and specifically the square-neck resonator, or dobro guitar. Now, as a progressive-jazz guitarist, that was quite a revelation. After some classic lines from the Burt Reynolds movie, Deliverance, another friend said he also was getting into mandolin and banjo.
Long story short, we put together a band, Honeywagon (which is the vehicle that cleans out the toilets under actors’ trailers on movie sets), started playing bluegrass around L.A. (up and down the Sunset Strip), and three months later, we had a record deal. We sang three-part harmony, made “deranged” covers of songs by famous artists, produced it ourselves, and sold well over 1.5 million albums and counting, and played all over the world.
What started all of that was my love for Jerry Douglas’ dobro playing. It’s so vocal, and his timbral range! You see, music is a universal language that transcends cultural, social, and linguistic boundaries. And learning another instrument is a gateway to unlock levels of self-expression, creativity, and emotional exploration you might not even be aware of.
I don’t believe in “mastery”—there are always deeper levels to discover—so let me say that while gaining significant proficiency on one instrument is a huge achievement, the benefits of learning to play at least one other instrument are immense. It will enhance your musical skills, cognitive abilities, and personal growth. Tighten up your belts, the Dojo is now open.
Enhancing Musical Skills and Understanding
Learning multiple instruments can profoundly deepen a musician’s understanding of music theory, composition, and performance. Each instrument has its unique challenges, techniques, and approaches that require you to adapt and learn new skills. For instance, a guitarist transitioning to the piano will need to understand new techniques, two-hand interdependence, chord shapes, and different ways of producing sound.
New instruments also allow you to appreciate different timbres, textures, and roles within an ensemble. A drummer who learns to play the bass, for example, will gain a deeper understanding of rhythm and timing, as they experience how their drumming interacts with the bassline. This cross-instrumental knowledge can lead to more creative compositions and more nuanced performances, as musicians become adept at thinking from multiple musical perspectives.
Cognitive Benefits
The cognitive benefits of playing an instrument are widely documented. Learning to play an instrument can improve memory, enhance coordination, and increase cognitive flexibility. When a musician learns to play an additional instrument, these cognitive benefits are amplified. The process of learning new fingerings, reading different clefs, and adapting to various physical requirements engages the brain in unique ways, promoting neuroplasticity and cognitive growth.
“Music is a universal language that transcends cultural, social, and linguistic boundaries.”
Moreover, playing multiple instruments can improve problem-solving skills and adaptability. We often face challenges when learning a new instrument, but successfully navigating these challenges builds resilience and perseverance—skills that are valuable both in music and in other areas of life.
Emotional and Personal Growth
Music is not just a technical skill, it is also a deeply emotional and expressive art form. Learning to play multiple instruments can enhance your ability to express and connect with your rich emotions. Each instrument has its own voice and character, offering different ways to convey those emotions and tell stories. A violinist who learns to play the flute, for instance, may discover new ways to express lyrical melodies or subtle nuances in phrasing. In addition, taking on another instrument can boost confidence and self-esteem.
Expanding Musical Opportunities
It can also open you up to a wide range of musical opportunities. Musicians who can play multiple instruments are often more versatile and in-demand for various musical projects. The more you’re able to adapt to different genres, styles, and ensemble settings, the more valuable a collaborator you’ll be in bands and recording sessions.
Which One?
Ultimately, I’ve found that the instruments I can play besides the guitar have helped me deepen my connection with music and discover new ways to express myself. If this article is resonating with you, I would suggest choosing your new instrument based around what excites you the most. Is it bass, keys, pedal steel (one of my personal faves), or modular-synth programming? The possibilities are as wide as your mindset. In “Song of Myself, 51,” Walt Whitman said, “I am large, I contain multitudes.” Namaste.John Mayer Silver Slinky Strings feature a unique 10.5-47 gauge combination, crafted to meet John's standards for tone and tension.
“I’ve always said that I don’t play the guitar, I play the strings. Having a feeling of fluidity is so important in my playing, and Ernie Ball strings have always given me that ability. With the creation of the Silver Slinky set, I have found an even higher level of expression, and I’m excited to share it with guitar players everywhere.”
— John Mayer
hese signature sets feature John’s previously unavailable 10.5-47 gauge combination, perfectly tailored to his unique playing style and technique. Each string has been meticulously crafted with specific gauges and core-to-wrap ratios that meet John’s exacting standards, delivering the ideal balance of tone and tension.
The new Silver Slinky Strings are available in a collectible 3-pack tin, a 6-pack box, and as individual sets, offered at retailers worldwide.
"Very few guitarists in the history of popular music have influenced a generation of players like John Mayer. For over 25 years, John has not only been a remarkable artist but also a dear friend to the Ernie Ball family. This partnership represents our shared passion for music and innovation, and we can't wait to see how John’s signature Silver Slinky strings continue to inspire guitarists around the world.”— Brian Ball, CEO of Ernie Ball
Product Features
- Unique gauge combination: 10.5, 13.5, 17.5, 27, 37, 47
- John’s signature gauge for an optimal balance of tone, tension, and feel
- Reinforced Plain Strings (RPS) for enhanced tuning stability and durability
- Custom Slinky recipes tailored to John’s personal preferences