Thrash-metal icon Dave Mustaine details his signature Gibson Vs and why it’s the best body shape. Plus, Brazilian shredder Kiko Loureiro dishes on his signature Ibanez speed demons.
Grammy-winning metal legends Megadeth and their massive headlining 2022 run hit Nashville’s Bridgestone Arena on May 5. Before the headbanging started, PG’s Chris Kies talked gear with Megadeth leader Dave Mustaine, who ran down the specs of his signature Gibson Flying V and showed us why it’s the best body shape for ripping onstage. The band’s dangerously dexterous lead guitarist Kiko Loureiro showed off his stash of dashing Ibanez doublecuts. And both players (plus their techs) share insight on downsizing from an Axe-Fx to a gig-bag-friendly Neural DSP Quad Cortex.
Brought to you by D’Addario XPND Pedalboard.
The Silver Bullet
Dave Mustaine has collaborated with several brands for signature models (Jackson, ESP, and Dean) that have all revolved around the V-body shape. In 2021, it was announced Mustaine was forming an alliance with Gibson. The partnership makes absolute sense given Gibson first released the (still) futuristic V and Explorer in 1958. (Astute Gibson historians may point to the Moderne as part of that legendary year, but it was supposedly prototyped in 1957 and never officially released until the early ’80s. The pattern mirrors the release of this year’s Gibson Theodore model.)
The sterling Dave Mustaine Flying V EXP (seen here in silver metallic) has some slight tweaks to the original recipe. It has a 25.5" scale length with 24 medium jumbo frets, mother-of-pearl teeth inlays, a 6-in-line Explorer headstock with Grover Mini Rotomatic tuners and kidney buttons, a Graph Tech nut, and a set of Mustaine’s signature Seymour Duncan Thrash Factor humbuckers. Another change includes moving the output jack onto the inside of the top wing. The V’s tonewoods consist of a mahogany body, mahogany neck, and rosewood fretboard. Mustaine mentions in the Rundown he worked considerably with Gibson to refine the baseball-bat neck for something with a slim taper grip and ergonomic flow.
All of Mustaine’s guitars take Cleartone strings—custom sets (.011–.054) for D-standard, Cleartone Dave Mustaine Heavy Series (.010–.052) for standard, and, no matter what, he’s shredding on Cleartone .73 mm picks.
Natural Knockout
Here’s the second option for Mustaine’s production signature V that’s identical to the previous except that it’s finished in an antique natural.
Vivacious V
Being Dave Mustaine probably opens a lot of doors, and one such invitation is working with Gibson’s Nashville-based Custom Shop. Here’s a regal V (decked out with his sig specs) that features a flame maple cap and tasty binding. Note the bridge: Dave’s prototype instrument has through-body string loading. Expect to hear more about this model shortly.
Skin o’ My Teeth
Vic Rattlehead, Welcome to Smashville
The Explorer headstock (also outfitted on Mustaine’s Vs) could be used in a pinch by the hockey heavies on the Nashville Predators.
Tuxedo V
The last of Mustaine’s Vs is another Custom Shop offering that is both classy and cool.
Green Mamba
Brazilian flamethrowing guitarist Kiko Loureiro officially joined Megadeth in April 2015. The first album he contributed to was 2016’s Dystopia, which earned Megadeth its only Grammy. An impressive start!
Providing a lot of nightly fireworks is Kiko’s trove of signature Ibanez racers. First up is the 2018 Ibanez KIKO200 GMT Kiko Loureiro model that has an African mahogany body (RG style) with a AAAA quilted maple top, wenge-maple neck, 24 jumbo frets (with scalloped frets in 19-24) on a Macassar ebony board, and an Ibanez Edge tremolo. Originally these models came with custom-voiced Ibanez KIKO pickups, but he’s now working with DiMarzio for his signature H-S-H configuration. All Loureiro’s electrics take D’Addario NYXLs—either .010–.046 for standard or .010–.052 for D-standard—and he attacks the strings with D’Addario heavy picks.
A 100 For Kiko!
The Kiko 100 was his first namesake shred sidekick with Ibanez. This one was done by the L.A. Custom Shop and features similar specs to the previous 200, but has an Ibanez S body shape and some different tonewoods—an alder body with a flame maple top, 5-piece walnut-and-maple neck, and a rosewood fretboard.
Here’s what seems to be another Ibanez Kiko100 model, but it has a wenge-maple neck similar to the one seen on the first green Kiko200 model.
Les Paul Means Less Frets
With captain Dave Mustaine onboard with Gibson, Kiko has been auditioning some Les Pauls for the Megadeth 2022 tour. Here’s a brand-new Gibson Les Paul Modern finished in a subdued sparkle they call graphite top. Contemporary updates on this classic includes a lighter, chambered mahogany body, an asymmetrical SlimTaper neck profile, a contoured and comfortable neck-and-heel joint, and while the company’s BurstBucker Pro and BurstBucker Pro + pickups have been in their stable for years, the Modern gives them added options with push-pull volume knobs engaging P-90 tones. There are only certain songs that Kiko can play the Les Pauls on (“Peace Sells” and “Trust”) because much of Megadeth’s material requires 24 frets (“Holy Wars... The Punishment Due,” etc.).
Kiko Goes Classical
For the opening of the instrumental tour de force “Conquer or Die,” Kiko uses this Yamaha NCX3 nylon-string acoustic-electric complete with the company’s Atmosfeel Electronics.
Loureiro Leads the Way
When touring shut down, Kiko looked to stay creative, so he took the plunge into the Neural DSP Quad Cortex. Impressed with its power, versatility, programmability, and condensed packaging, he incorporated it into his live rig. When Megadeth rehearsals restarted, Mustaine eyed the new unit and dropped his Axe-Fx for the downsized dynamo. For their worldwide 2022 run, both guitarists were using the Quad Cortex. Kiko preferred relying on Friedman BE patches, where Dave stayed familiar with Marshall settings. Both split their units between direct to FOH and onstage to Marshall Dave Mustaine Signature 1960B-DM 4x12s loaded with G12-V30 Marshall Celestion custom Dave Mustaine Vintage speakers.
Dave Mustaine’s Rack
Mustaine’s Quad Cortex’s run off a pair of Seymour Duncan PowerStage 700 amps. His guitars run through the Shure Axient AD4Q rackmount wireless unit and get controlled and organized by the Radial JX44 Guitar Signal Manager.
Kiko Loureiro’s Rack
Like Mustaine, Kiko puts his guitars through the Shure Axient AD4Q rackmount wireless unit and Radial JX44 Guitar Signal Manager, but he powers his Quad Cortexes with a couple of Matrix Amplification GT1000FX amps.
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Lutefish, the real-time music collaboration device and platform, is excited to announce a suite of new features designed to simplify setup, streamline collaboration, and offer more flexible subscription options for Lutefish Stream users. These latest updates, Audio Presets, Automatic Session Recall, Improved Scheduling with Contact Visibility, and a new Yearly Subscription Plan, are all about making it easier than ever for musicians to jam together, no matter where they’re based.
Save Time and Stay in the Flow with Audio Presets & Session Recall
Musicians can now save and reuse their exact audio settings, reducing setup time and ensuring every session sounds exactly as they want.
- Automatic Session Recall: When users leave a session, their current audio levels are automatically saved and restored when they rejoin.
- User-Defined Audio Presets: Each user can create and name up to five custom presets, like “Band Practice,” “Studio Mic Setup,” or “Quick Jam,” making it effortless to jump back in with the perfect sound.
“These tools are all about saving time and hassle,” said Patrick Finn, Business Manager at Lutefish. “Musicians want to make music, not spend time rebalancing levels every session. With presets and recall, we’re giving them time back and helping them sound their best, every time.”
Smarter Scheduling and Contact Visibility
The latest update to Lutefish also made it easier to find collaborators and book sessions. Users can now:- View all their contacts at a glance when scheduling a session.
- Instantly identify which contacts own a Lutefish Stream device—so they will always know who’s ready to jam.
Go Yearly and Save 20%
Lutefish now offers a Yearly Subscription Plan, providing users with the same great access as the monthly plan at a 20% discount.
This option is now available within the Lutefish app and web platform, and current monthly users are eligible for a discount with an upgrade to a yearly subscription.
Lutefish’s mission has always been to empower musicians to connect and collaborate without boundaries. With these new updates, Lutefish Stream continues to break down barriers—whether you’re jamming with a friend across town or collaborating with a bandmate 500 miles away.
For more information and to start jamming today, visitlutefish.com.
The veteran Florida-born metalcore outfit proves that you don’t need humbuckers to pull off high gain.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kiesel’s new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼” input, XLR and ¼” outputs, gain and volume controls and extensive equalization. It’s intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But don’t let that hold you back if you’re a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼” phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry – important for the instrument most responsible for the band’s groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).