Inside the band’s East Nashville studio, we zoom in on the multi-instrumentalist’s string-driven things.
Mike Harris says he “Forrest Gump-ed” his way into the Grammy-winning Americana string band Old Crow Medicine Show when he was drafted to join in January 2021. But rather than picking his spot in the group from life’s box of chocolates, Harris’ initial connection was his friendship with drummer Jerry Pentecost. He quickly proved himself an important member of the Nashville-based outfit of “Wagon Wheel” fame, thanks to his flexible guitar, mandolin, banjo, resonator, and vocal abilities.
Harris invited PG to Old Crow Medicine Show’s East Nashville studio, where they recorded their latest album, Paint This Town, for some show-and-tell about his favorite traveling and recording instruments.
Brought to you by D’Addario XS Strings.
Mike Harris’ main electric instrument in Old Crow Medicine Show is his well-loved 1968 Fender Telecaster with a maple-cap fretboard. The guitar has had a few changes over the past 54 years—the biggest is its Lollar neck pickup—but is mostly stock.
From Fessler’s Lane
Famed Fender luthier Greg Fessler, who’s made guitars for Robben Ford and many others, created this Custom Shop ’62 Tele in 2017. The speed dials and saddles are by notable vintage-style parts maker (and builder) Glendale Guitars of Arlington, Texas.
This stripped 1964 Fender Jaguar was a gift from Chris Stapleton. The tuners and bridge have been upgraded, which is common for pro-player Jags.
For a guitarist in Old Crow Medicine show, a classic Martin seems like a requirement. Harris’ 1960 D-28 features a Brazilian rosewood back and sides. The headstock has been repaired and a bridge plate saver installed.
This Collings MF Mandolin features an Adirondack spruce top and an Eastern flamed maple back and sides. It has a V-shaped neck and wide string spacing, for easy finger placement. Harris has a Fishman pickup installed.
Amplifying a banjo can be tricky, so Harris has a microphone installed behind the head of this Deering Sierra model.
A “Handy” Les Paul
This 2012 Gibson R7 Les Paul has a mahogany top, Seymour Duncan Pearly Gates pickups, and a Bigsby BP-15 palm-pedal tailpiece installed with a Vibramate V5 bridge plate. The R, by the way, stands for reissue, and the 7 designates 1957 as the year of origin for the guitar that inspired this goldtop.
The Rev. William F. Gibbons’ very own monster ’59, dubbed Pearly Gates, is the inspiration for this Gibson reissue. Of course, it also sports a pair of Seymour Duncan Pearly Gates Pickups. Only 350 of these came out of the Gibson Custom Shop in 2009.
This mid-1960s Harmony Meteor actually belongs to Harris’ great uncle, Howard. True to its birth-era, the guitar stays strung with flatwounds. It also possesses its original D’Armond-made gold-foil pickups, which were introduced with this model back in the day.
I’ll Have a PBR
This Gold Tone PBR Paul Beard Signature-Series Roundneck Resonator with a cutaway gets carried to the PA via a Fishman Nashville Series spider-style resonator pickup. Harris always plays the guitar through a Fishman Jerry Douglas Signature Aura Acoustic Imaging pedal.
And now for something unusual: Harris has his PBR resonator tricked out with a Bigsby BP-12 palm pedal tailpiece.
Harris’ pedalboard starts with a XTS custom pedalboard interface and routes to a Fancy Boy Klon clone, an Origin Effects Cali76 Compact compressor, a Walrus Audio 385 overdrive, a Demonfx King of Drive, a Shnobel Tone-modded Ernie Ball VP Jr. with a built-in TC Electronic PolyTune, a EHX Micro POG, an MXR Phase 95, a Moog MF Delay, and a Strymon Flint Tremolo & Reverb. All are powered by a Truetone 1Spot CS 12 and wired with Mogami cable with SP500 plugs. The board also houses a Magnatone reverb/tremolo controller.
Other elements of Harris’ gear include D’Addario American Stage Cables, BlueChip thumb picks, ProPik fingerpicks, Fender medium triangle plectrums, Dunlop .88 mm Flow picks, and Clayton thin triangles. He uses Dunlop slides: a 224 Heavy Wall Brass for resonator and a Derek Trucks signature for electric.
In the studio, Harris uses a lot of amps. On tour, however, he carries two, including this Magnatone Panoramic Stereo 2x10 combo. These come with Jensens, but Harris replaced those with a pair of Eminence Legends.
No. 2 for the Road
His other touring amp is a Fender Chris Stapleton Signature ’62 Princeton with an Eminence George Alessandro GA-64 12" speaker.
Wall of Sound
Here’s a look at the studio amps he keeps on tap—mostly classic-style Fenders with a little assist from a Silvertone and that Magnatone.
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Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
Looking for a compact, “noiseless” way to plug in and play guitar? Check out the brand-new Gibson Digital Amp, available only in the Gibson App.
The new Gibson App simplifies the learning process and brings guitar playing to life for the current and next generation of guitarists in a modern, comprehensive, and intuitive way. The Gibson App is the place to take your guitar playing to the next level. New to the Gibson App is the Gibson Digital Amp, the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediate players and pros to get their sound anywhere. The Gibson Digital Amp is an accessible amplifier for both acoustic and electric guitars, and is currently available for Apple/iOS users--an Android version will debut next year.
Use the Gibson Digital Amp’s jamming guide to get started and transform your sound with built-in effects and pedals, jam to backing tracks, or use it in lessons and songs. The Gibson Digital Amp only requires your phone, and wired headphones for the best playing experience, no cables are needed. The amp features 3 acoustic mic presets, 4 electric amp presets, and 6 effects pedals.
The Gibson Digital Amp is the ultimate starting amplifier for beginners and a flexible amp on-the-go for intermediates and pros.
The Gibson App uses a unique two-way, interactive platform to teach guitar students how to do everything from playing their first note to shredding loads of songs. The Gibson App features interactive lessons with thousands of lessons and songs. Learn the songs step-by-step with video tutorials from superstar artists and pro guitarists in the “Gibson App Guide.” The Gibson App also includes the new Digital Amp, a built-in tuner, a metronome, Gibson TV, and new songs are added every week. New Gibson App Guides are added regularly and include Tommy “Spaceman” Thayer’s favorite iconic KISS guitar solos, Richie Faulkner’s (Judas Priest) “Guide to Metal,” Jared James Nichols’ “Guide to Blues,” CELISSE’s “Guide to Songwriting,” and more.
The Gibson App uses “audio augmented reality” to provide dynamic feedback to students as they learn and play. As you pluck a note or strum a chord, the Gibson App listens to your guitar and gives you real-time feedback on your playing. It also gives students a more contextual learning experience: Instead of learning chords and scales in a vacuum, you’re able to practice on a scrolling tablature that lets you hear how you sound with the backing of a virtual band. That means you can load up “Hurt” by Johnny Cash, “Brown Eyed Girl” by Van Morrison, “American Girl" by Tom Petty, “Nothing Else Matters” by Metallica, “Where is My Mind" by Pixies, “Country Roads” by John Denver, “I Hate Myself For Loving You" by Joan Jett, “Heaven” by Kane Brown, “Shape Of You” by Ed Sheeran, “Killer Queen” by Queen,“ Sweet Child O’ Mine,” by Guns ‘N Roses, “Run to the Hills” by Iron Maiden, “Roxanne” by The Police, and “Don’t Stop Believin’” by Journey, “Smells Like Teen Spirit” and “The Man Who Sold the World” by Nirvana, “Are You Gonna Go My Way” by Lenny Kravitz, and “Don't Look Back In Anger” by Oasis and hundreds more songs in a wide range of genres, to see how your play matches up with such seminal tracks.
As you’re playing, the Gibson App gives you feedback on timing and tone, ensuring that students are getting active input on how their play is developing. The Gibson App appeals to players of all levels, it’s not just for beginners looking to learn a few chords; the app can assist seasoned guitarists who are working their way through difficult riffs, want to learn their favorite songs, or polish their advanced techniques.
Players can also challenge themselves by speeding up or slowing the tabs. Like having a full-time guitar teacher, the Gibson App keeps track of all your progress and adjusts lesson plans accordingly. The Gibson App released a “backing track mode” which supports both lesson and song playback without headphones, so users can self-select what works best for their current environment. And that’s not all: the Gibson App also packs in a fully-featured digital tuner for guitar first-timers, there’s even a detailed lesson on how to tune your instrument, a multi-function metronome, players can connect to free one-on-one consultations with Gibson’s Virtual Guitar Tech team, and to direct links to the Gibson, Epiphone, and Kramer online stores for easy shopping for guitars, gear, apparel, and accessories.
Learn Guitar With The Gibson App
The Gibson App is more than a pocket-sized guitar teacher, it’s loaded with an archive of exclusive content and original programming from its premium and accessible award-winning online network, Gibson TV, featuring music icons telling their best guitar stories, with more episodes and installments added regularly. Users can watch Black Sabbath’s Tony Iommi share insights and tales from his decades-long career on the series “Icons,” dive into Joe Bonamassa’s assortment of legendary Les Paul guitars on “The Collection,” or see how Gibson’s iconic instruments are made in their Nashville factory from body to binding on “The Process.” There’s even a series called “The Scene” that focuses on backstage stories from hallowed music venues from coast to coast like The Troubadour and Grand Ole Opry.
The Gibson App free version features a few lessons a day; the premium version of the Gibson App offers full access and a 14-day free trial, then costs $19.99/£16.49 monthly or $119.99/£98.99 yearly.
For more information, please visit gibson.com.
This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl and smooth sustain saturation when pushed into overdrive.
Belltone Guitars, as part of their Custom-Select System curated offering of pickups, has partnered McNelly pickups to create a one-of-a-kind retro-vibe P-90 pickup in the standard Filtertron size format. This pickup captures the clear, bell-like single-coil chime of a classic P-90 when played clean and retains the tight mids and articulate low-end vintage growl, and smooth sustain saturation when pushed into overdrive.
The McNelly P-90 Foil-Coil comes housed in a ‘raw’ nickel outer casing with a dull nickel foil face with metal mount screw gromets to complete the ‘new-vintage’ aesthetic, making it a perfect choice for your signature Belltone custom build. Available exclusively through Belltone Guitars.
Check out the Custom-Select System belltoneguitars.com to preview the McNelly P-90 Foil-Trons and all our standard and selectable components available to create your own signature Belltone. Then visit the Dream Lab on our website and select either model B-Classic ONE with its top binding or B-Classic TWO with its arm and body contours select your body color from our wide range of offerings, select your neck profile of either standard ‘C’ or thicker ’59 Round Back and either Maple or Rosewood fingerboard followed by your tuners, pickguard, and strings. Finally, review our curated custom-designed, and unique pickup selection to locate the McNelly P-90 Foil-Trons to complete your signature build.
Builds start at just over $2,300.00 with a custom case and shipping included.
For more information, please visit belltoneguitars.com.
McNelly P 90 Foil Tron video Sep27
Belltone P-90 Foil-Tron Pickup
DiMarzio, Inc. announces the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses.
DiMarzio, Inc. announces the release of the Relentless P (DP299), the Relentless J Bridge (DP301), Relentless J Neck (DP300), and the Relentless J Pair (DP302) for 4 string basses. The new Relentless P and Relentless J series pickups feature the Relentless cover designed in collaboration with Billy Sheehan.
As with the Relentless pickups, we removed all the hard edges from the standard P Bass and standard J Basspickups, and added an arch to the top of the pickups to bring the sensing coils and pole pieces closer to the strings. These improvements increase the dynamic range and make active circuitry unnecessary.
The Relentless P and Relentless J pickups incorporate Neodymium magnets and produce 70 percent more output than traditional passive pickups, and they’re dead quiet due to the incorporation of metal covers and foil-shielded cables. To dial in (or fine-tune) the individual string output, the Relentless P and Relentless J include eight adjustable pole pieces. These pickups also have a broad magnetic field so you can even bend notes without volume dropout.
DiMarzio’s extra shielding makes the Relentless P and Relentless J better for both recording and stage performances. We’ve mounted them onto robust .09375” thick circuit board base plates to eliminate the annoying protruding mounting screws — ultimately creating a more comfortable and consistent foundation to rest your fingers on.
The new Relentless P steps beyond the traditional P-Bass sound and can only be described as massive. It has more of everything: more volume, beefier lows, a growling midrange, and crispy highs with better individual string definition.
The Relentless J incorporates a new invention, (patent pending) parallelogram-shaped coils, offering an expanded mid-range punch, snappy highs, precise lows, and a new dimension to the sound of the Relentless series pickups.
Relentless P and Relentless J pickups will breathe new life into any bass, increase playability, and work well for any style of music from Motown to metal.
DiMarzio’s Relentless P, Relentless J Bridge, Relentless J Neck, and Relentless J pair are made in the U.S.A. and may now be ordered for immediate delivery.
Suggested List Price for the Relentless P is $169.00 (MAP $119.99).
Suggested List Price for the Relentless J Bridge and Relentless J neck is $155.00 (MAP $109.99).
Suggested List Price for the Relentless J Pair is $296.00 (MAP 209.99).
For more information, please visit our website at dimarzio.com.