Cop-call-deterring boxes from Weber, Two Notes, Bugera, Radial, Mesa/Boogie, and more.
Sure, you could simply roll down your amp’s volume when you receive the evil eye (or worse) from your bandmates, engineer, spouse, or neighbor, but then your tonal sweet spot disappears. We’ve rounded up 10 attenuation options, from $50 to $550, that’ll let you hit your amp as hard as you like, while still maintaining your friendships.
Torpedo Captor X
Not just an attenuator, this little powerhouse also functions as an IR loader and cab simulator, and can be paired with your laptop or mobile device for expansive tone shaping.
Little Black Amp Box
This inexpensive and different device to attenuate allows you to tame your volume—while still pushing your amp’s front end—by placing it in your series effects loop.
Brake-Lite
For any tube amp up to 45 watts, and for use with 4, 8, or 16 ohm loads, this attenuator mounts inside your favorite combo and out of the way while you enjoy bedroom-level audio volumes.
Ironman II Mini
Ideal for tube amps up to 30 watts, and pedalboard friendly, this petite version of the company’s 100-watt unit attenuates your amp’s volume with the very same reactive load and transformer-coupled tech.
PS1 Power Soak
Priced attractively, this 100-watt unit’s multi-impedance input connectors will match virtually any amplifier for cranked-amp tone at manageable volumes.
Reducer
Developed in coordination with Tonehunter amps, this passive, point-to-point handwired attenuator features 200-watt power soak and is suited for amps with 4, 8, and 16 ohms.
MiniMASS
Designed for 35-watt amps and lower, this box features a 3-position treble compensation switch and an actual speaker motor for realistic interaction between the attenuator and the amp’s output circuit.
Headload Prodigy
This load box offers selectable output levels or complete attenuation, and features a built-in DI and EQ as well as an onboard headphone amp for those times you need to be completely silent.
POWERHOUSE
Rated for guitar amps up to 150 watts, this attenuator features five levels of power reduction, a 3-position voicing switch (normal, bright, or warm), and a speaker/load switch for options galore.
RockCrusher Gold Face
Boasting balanced XLR and unbalanced 1/4" outs for easy interfacing, this attenuator/load box was designed to ensure the amp and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance.
A brand-new YouTube series telling the 400-year-old story of the D’Addario family and how they created the world’s largest music accessories company.
This series features Jim D'Addario, Founder and Director of Innovation at D'Addario and Co., sharing his family's remarkable journey from 17th-century Italy to a 21st-century global enterprise.
In the first four episodes, available now, Jim D'Addario takes viewers back to the beginning, from making strings from animal guts, to knotting ukulele wire as a family around the television. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D'Addario's firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D'Addario into the brand it is today.
How D'Addario Invented The Modern Guitar String | Jim's Corner Ep. #1
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D'Addario and Co. Legacy
Over the course of his long career, the Rush guitarist has shape-shifted through the classic rock universe. From mid-’70s hard rock through the band’s more progressive tendencies, into the beating heart of the ’80s, and finding a (relatively) leaner approach by the turn of the century, Lifeson—aka Lerxst—always found a new way to add space and dimension to Rush’s dense sound. Lifeson’s unique lead and rhythm playing has been celebrated with a range of signature gear that speaks to his broad sonic palette.
The Always Evolving Alex Lifeson
Head to https://www.tonespeak.com/silver-and-black for a special offer!
Yungblud's first signature features a mahogany body, P-90 Pro pickup, and SlimTaper C profile neck.
“Guitars and rock music have always been a fundamental part of my life,” says Yungblud. “Literally my education. I grew up on the counter of a guitar shop, and I’ve been dusting them since I was three years old. The reason why I play a White ‘64 SG Junior is because, growing up, musicians who were important in my life were Angus Young and Billie Joe Armstrong. I was lucky because I found a guitar that represented both parts of my inspiration and yet has been famously played by no one but me. This SG Junior is entirely my own, and it already looks fucking iconic.
Rock music only survives if we keep evolving the genre, playing it our own way, and passing along the fuckin’ baton. To play for my fan base, hand them my guitars and talk to them about wanting to start bands is the sickest shit ever!! If I play even the tiniest part in their journey, I’m fuckin’ honored. Rock isn’t dead; it’s just different, pass it on.”
The Yungblud SG Junior has a mahogany body and a glued-in mahogany neck with a SlimTaper C profile and a laurel fretboard that is equipped with 22 medium jumbo frets. Epiphone Deluxe Vintage tuners and a Graph Tech nut keep everything solidly in tune, while a compensated wraparound bridge anchors the strings at the other end and contributes to the models’ excellent sustain. The simple yet effective electronics include a single Dogear Epiphone P-90 Pro pickup in the bridge position, wired to CTS volume and tone potentiometers. An Epiphone hardshell case with a hot pink interior is also included, and a Yungblud die-cut bumper sticker is packed inside.
For more information, please visit epiphone.com.
The Epiphone YUNGBLUD SG Junior, Classic White
Epiphone Yungblud SG Junior Signature Electric Guitar - Classic White, Limited Edition
Yungblud SG Junior, Classic WhiteHe was dubbed “the father of British blues,” but Mayall’s influence was worldwide, and he nurtured some of the finest guitarists in the genre, including Eric Clapton, Peter Green, Mick Taylor, Harvey Mandel, Coco Montoya, and Walter Trout. Mayall died at his California home on Monday, at age 90.
John Mayall’s career spanned nearly 70 years, but it only took his first four albums to cement his legendary status. With his initial releases with his band the Bluesbreakers—1966’s Blues Breakers with Eric Clapton; ’67’s A Hard Road, with Peter Green on guitar; plus the same year’s Crusade, which showcased Mick Taylor—and his solo debut The Blues Alone, also from 1967, Mayall introduced an international audience of young white fans to the decidedly Black and decidedly American genre called blues. In the subsequent decades, he maintained an active touring and recording schedule until March 26, 2022, when he played his last gig at age 87. It was reported that he died peacefully, on Monday, in his California home, at 90.
Mayall had just one radio hit, 1969’s FM staple “Room to Move,” from The Turning Point, a live album that captured his era of experimentation with pop and psychedelic elements in blues. But throughout the decades he remained a profoundly good musician and bandleader, who held his players to the highest standard. And what a coterie of players! He maintained a reputation for cultivating exceptional guitarists, from his early troika of Clapton, Green, and Taylor, to Harvey Mandel, Coco Montoya, and Walter Trout, and, more recently, Buddy Whittington and Carolyn Wonderland.
Eric Clapton described him as “having the air of a favorite schoolmaster who still manages to be cool.”
But it wasn’t just the company he kept that made him legendary. Mayall’s carefully curated choice of material on his early albums—classic, compelling songs by Freddie King, Robert Johnson, J.B. Lenoir, and other giants of the blues—and his own convincing songwriting, which always sounded authentic to the genre, was exceptional. He was also an excellent keyboardist and guitarist in his own right, and possessed a soulful, haunting tenor voice that—on a slow blues—sounded like a wraith from the lyrics of Johnson’s “Me and the Devil Blues.”
Mayall remined loyal to the genre he loved through more than 37 studio albums and 33 live recordings, including a series of archival releases featuring Clapton, Green, and Taylor over the past dozen years. By the time he was making his early recordings with those guitarists, Mayall had amassed one of the largest collections of blues recording in the U.K. which he freely shared with them along with his direct instruction in the music. Clapton described him as “having the air of a favorite schoolmaster who still manages to be cool.” That was a role Mayall relished and played his entire life.
A full-length tribute to Mayall will be published on the premierguitar.com website shortly.
John Mayall - All Your Love
John Mayall’s debut album with Eric Clapton among his Blues Breakers remains one of the finest recordings by a torchbearer of the genre.