...There's a lot more to it than whether Billy Gibbons or SRV was "right."
Greetings, tone hounds! I'd like to discuss two terrific YouTube videos Rick Beato and Rhett Shull recently made regarding string gauges. In Rick's video, a group of players recorded themselves playing the same Les Paul and Marshall JCM2000 setup with the only variable being four different gauged sets: .011, .010, .009, and .008. Both videos reveal the differences in tone between different gauges, and I'd like to expand on this by adding a few observations I've discovered over the years.
Everything affects everything.
In Rick's video, he mentions a discussion he had with Dave Friedman of Friedman Amps. Dave said because lighter strings produce less bass, they help tighten up the tone—and this was one of the catalysts for Rick deciding to make a video demonstrating the phenomenon.
Dave Friedman is an old friend, and we've had countless discussions about tone. He has a great saying: "Everything affects everything." In other words, each link in your signal chain impacts the overall tone: cables, pickups, amps, woods, pedals, and, of course, strings.
Each link in your signal chain impacts the overall tone: cables, pickups, amps, woods, pedals, and, of course, strings.
In Rick's video test, they went for a classic, raunchy rock 'n' roll tone with the Les Paul/Marshall setup. Had they used, say, a Stratocaster with single-coils, or even a P-90-equipped Les Paul, the results would have varied. If you prefer the tone of .009s in the video, it's possible you may have preferred .010s had they used a Strat. It's all a recipe.
Expanding on this thinking a bit, what if they'd used a 4x10 Bassman for a bluesy overdrive? The results would also vary. A hotter alnico-5 pickup would also change the tone, and if you were to use a ceramic magnet humbucker, the bass, mids, and treble would completely change! Remember to consider these things when contemplating a different string gauge.
You’re Probably Using The WRONG Guitar Strings
Let's talk SRV.
In my estimation (and Rick mentions this too), it was Stevie Ray Vaughan who inspired many guitarists to use heavier strings. But Stevie played a single-coil-equipped Strat, mainly through Fender amps. He didn't use much preamp gain because he cranked these relatively low-gain amps until they broke up naturally. His tone formula consisted of a heavy right hand and heavy strings, combined with relatively low-output single-coils into a Tube Screamer that would add mids and cut bass. The amps he used are known for their scooped mids, so you see where I'm going with this? It's all part of the formula.
My takeaway analysis:
If you're after a fat, bluesy, loud, low-gain tone, the SRV formula—heavy strings, single-coils, a Tube Screamer, and a relatively clean, cooking, low-gain amp with scooped mids—works great. On the other hand, for a Marshall-style, midrange-heavy, tight-crunch tone, lighter strings with humbuckers and a gain-y amp—without too much bass in the preamp—will get you there.
Playability, bending, vibrato.
One last thing to consider: String gauge can have a huge effect on your bending and vibrato. Heavy strings can actually make players who have a tendency towards a "nervous" vibrato and over-bending sound more controlled. Rhett Shull commented that .008s made him feel a little more tentative on the guitar. I'm sure he could get used to them over time, but his preference for overall tone and feel were .009s. That's something to consider when switching gauges.
I Was DEFINITELY Using The Wrong Guitar Strings
Thanks to Rick and Rhett for producing useful YouTube content like this. I encourage all guitarists to follow their example of learning through experimentation. Don't just assume—discover what works for you. Until next month, I wish you great tone!
[Updated 9/30/21]
- Guitar Shop 101: Happy Little (String) Trees - Premier Guitar ›
- Do Bigger Strings Really Make for a Louder Acoustic Guitar ... ›
- Guitar Pickups 101 - Premier Guitar ›
- Rig Rundown: Rick Beato - Premier Guitar ›
- Guitar Shop 101: Happy Little (String) Trees - Premier Guitar ›
- The Recording Guitarist: Is It a Sin to Scoop Your Mids? - Premier Guitar ›
- Pete Thorn Guitar Rig Rundown Gear Tour - Premier Guitar ›
We’re not slowing down! Enter Stompboxtober Day 15 for your chance to win today’s featured pedal from Solo Dallas!
Orbiter Fuzz Pedal
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The effects are based on the award-winning Axe-Fx III, and include hundreds of classic stompbox and studio effect models, including drives, delays, reverbs, choruses, flangers, phasers, pitch, plex, EQs, compressors, wah, tremolo, and many more.
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The VP4 combines ease of use with exceptional performance, offering musicians a high-quality, versatile effects tool. Featuring a pristine signal path and rugged, road-ready design, the compact VP4 delivers world-class multi-FX processing to take your sound to the next level. The VP4 also works great with acoustic guitar, bass, keyboards, and other instruments.
Retail Price: $699 Availability: October 15, 2024 Visit https://fractalaudio.com/vp4 for updates and to purchase, or contact your local Fractal Audio dealer for inquiries outside the USA/Canada.
Fender's American Ultra II series offers the ultimate blend of tradition and modernity, featuring advanced Ultra Noiseless and new Haymaker Humbucker pickups, stunning finishes, and a sleek Modern “D” neck shape.
Fender Musical Instruments Corporation (FMIC) today continues its industry-defining innovation, launching the next iteration of the coveted American Ultra series—Fender’s most advanced series of electric guitars - by taking that hyper-modern recipe and turning it up to 11 for American Ultra II.
At a time when projections indicate the electric guitar market is set to grow by USD 1.45 billion from 2024-2028, driven by increasing demand for music-related leisure activities¹, the introduction of the American Ultra II series exemplifies a steadfast commitment to innovation, with every detail reflecting a relentless pursuit of perfection. At Fender, innovation is an ongoing, dynamic process fueled by a deep passion for enhancing the playing experience. Long before the American Ultra series hit the market, discussions were already underway about future possibilities, sparked by spontaneous experiments and real-world feedback from the innovators who play these guitars.
The American Ultra II series is built in Fender’s iconic California factory where guitars are meticulously crafted using a blend of time-honored techniques and state-of-the-art CNC technology, ensuring every instrument embodies the perfect balance of tradition and modernity. Massive green punch presses and decades-old tools, some dating back to the 1950s, sit alongside advanced machinery that allows for precise shaping and flawless consistency.
“With the work and heart that went into creating the American Ultra II series, there's a lot of soul in these guitars,” said Justin Norvell, EVP of Product at FMIC. “We refer to it as the “sports car” of the Fender lineup, it’s designed to push boundaries and redefine what a Fender guitar can be, catering to both traditionalists and those exploring new, faster, and more intricate playing styles. This is a guitar that doesn’t fight you; instead, it gets out of the way, allowing you to focus purely on your performance, whether you’re playing soulful solos, fast riffs, or complex chord progressions.”
Featuring stunning finishes, modern body contours, a Modern “D” neck shape, and the most advanced Ultra Noiseless™ and new Haymaker™ Humbucker pickups, American Ultra II bridges the gap between Fender’s classic designs and high-performance instruments typically associated with Fender’s specialty brands such as Charvel, EVH or Jackson. The guitars’ unique neck profiles provide an effortless glide along the fretboard, making for an incredibly smooth and responsive feel that increases precision. The American Ultra II series is an ideal fit for players who love the iconic look and sound of a Fender guitar, but crave the speed and playability of a performance guitar adept for playing across genres, from neo-soul and jazz to metal and funk.
A welcome balance to the ultra-modern specs, the American Ultra II also embodies the hallmark qualities that make Fender guitars timeless including unparalleled versatility, modularity, and signature tone. Whether a player is chasing the crystalline clarity of classic Stratocaster® sounds, the bite of a Telecaster®, or the deep growl of a Jazz Bass®, the American Ultra II series is built to handle it all. In addition to the standard models, the series includes Ultra II Jazz Bass® V, a left-hand Stratocaster® model as well Ultra II Meteora® guitar and bass.
Top Highlights Include:
- Fender’s Fastest-Playing Necks: The quartersawn maple neck has a comfortable modern “D” shape and is topped with an ebony or maple fingerboard with Luminlay side dots and Ultra rolled edges
- Upgraded Noiseless™ Pickups: The Ultra II Noiseless™ pickups deliver classic Fender® single-coil sound – without the hum
- Ultra Comfort And Playability: A sculpted neck heel and sleek rear body contours offer next-level comfort and playability
American Ultra II Models & Pricing
- American Ultra II Stratocaster - $2,199.99-2,249.99
- American Ultra II Stratocaster HSS - $2,249.99
- American Ultra II Telecaster - $2,199.99
- American Ultra II Meteora - $2,249.99
- American Ultra II Precision Bass - $2,199.99
- American Ultra II Jazz Bass - $2,299.99
- American Ultra II Jazz Bass V - $2,399.99
- American Ultra II Meteora Bass - $2,299.99
American Ultra II Series | Fender
Join Premier Guitar contributor Tom Butwin as he tries five powerful guitar plugins that will transform your guitar recordings.