Unravel the mysteries of series, parallel, and coil-splitting wiring schemes.
This month we're going to explore four ways to configure any humbucker that has 4-conductor wiring. (Note: These wiring schemes are not intended for an old-school humbucker with 2-conductor wiring, but rather the modern humbucker that allows coil-splitting and other wiring mods.)
For starters, let's review our terminology. Looking at a humbucker from the front, we call the lower coil "south" and the upper coil "north." The south coil is always the "screw side," while the north coil is the "slug side." The latter is named for the type of magnetic material used on this coil. Each coil is wrapped with very fine wire, and this wire has a start and a finish. This results in a total of five wires coming from the humbucker:
- North coil start plus north coil finish.
- South coil start plus south coil finish.
- Ground.
The bare wire or braided shield always goes to ground—there's no exception—so that leaves us with four wires to play with. Having access to the start and finish of each coil wire not only makes it easy to solve potential out-of-phase issues (a subject we'll cover in another column), but it also gives you the option to wire up your humbucker in one of four different ways. If you're ambitious, you can use a switch to put several options at your fingertips.
The south coil is always the "screw side," while the north coil is the "slug side."
Every pickup company uses its own color-code scheme for these four wires. This makes discussing humbucker wiring a little more confusing than necessary, but that's the way it is. As usual, I'll use the Seymour Duncan color code as a quasi-standard. You should be able to get color-code information for your pickups from their maker, and there are several charts available on the internet that let you compare color-code schemes from different manufacturers. You can use such charts to translate the following wirings into whatever color code corresponds to your particular brand of humbucker. Fortunately that's not too hard—you only need to know which color wire on your pickup indicates the start or finish of which coil. Once you have that info, you can draw up a reference chart to decode this column's wirings.
Here's the Seymour Duncan 4-conductor humbucker color code:
- North coil start is black; north coil finish is white.
- South coil start is green; south coil finish is red.
- Ground is bare wire.
Fig. 1 sums up what we've covered so far in the Seymour Duncan format. Now let's walk through the four ways you can wire up a humbucker. Ready?
Standard humbucker wiring: both coils connected in series.
This is the default wiring in almost every guitar loaded with one or more humbuckers because it produces a warm, fat tone with maximum output while offering hum-cancelling capability. (It's also the factory standard for all humbuckers with 2-conductor wiring consisting of only hot and ground.)
Fig. 2
illustration courtesy of singlecoil.com
Here are the connections for series wiring (Fig. 2):
- North coil start is the hot output.
- North coil finish and south coil finish are soldered together and taped off (this is the series link).
- South coil start is soldered together with the bare wire going to ground.
“Single-coil" humbucker wiring: both coils connected in parallel.
This option gives you a single-coil-like tone, but still retains hum-cancelling capability. It doesn't deliver a crystal-clear Strat or Tele tone, but to my ears it at least resembles a single-coil pickup—maybe closer to a P-90 than to a standard single-coil. Every type of humbucker sounds a little different when wired this way, so it's simply a matter of giving it a try to determine if you like the sound.
Fig. 3
illustration courtesy of singlecoil.com
Parallel wiring (Fig. 3) requires the following connections:
- North coil start and south coil finish are soldered together as the hot output.
- North coil finish and south coil start are soldered together with the bare ground wire.
Coil-splitting humbucker wiring #1: splitting to the south coil.
This wiring splits the humbucker in half, shunting one coil to ground and leaving the other coil engaged like a true single-coil pickup. In this mode, the hum-cancelling function is no longer active, so you'll get the hum and noise of any single-coil pickup. But don't expect a true Strat or Tele tone: If that's your goal, investigate the special breed of humbuckers that are made out of two real single-coil pickups. The downside of this type of pickup is that it doesn't sound great in full humbucker mode, so, as we're so often reminded, it's about compromise.
Splitting to the humbucker's south coil, which is the screw side, is only recommended for neck pickups. (You'll learn why we're excluding the bridge pickup when we get to our fourth wiring scheme.) Let's also remember that in most guitars with neck humbuckers, the south, screw-side coil lies closest to the neck.
Fig. 4
illustration courtesy of singlecoil.com
For this coil-splitting wiring (Fig. 4), you need the following connections:
- South coil start is the hot output.
- North coil start, north coil finish, and south coil finish are soldered together with the bare ground wire.
Coil-splitting humbucker wiring #2: splitting to the north coil.
This wiring follows the same concept as our previous coil-splitting recipe, but leaves the north coil active—that's the slug side. This version is recommended for a bridge humbucker because pole-piece slugs deliver a fuller sound than pole-piece screws.
Fig. 5
illustration courtesy of singlecoil.com
Here are the connections for our second coil-splitting wiring (Fig. 5):
- North coil start is the hot output.
- North coil finish, south coil start, and south coil finish are soldered together with the bare ground wire.
Well, that's it. In a future column we'll explore how to integrate and control all these options with the help of a switching device. And, of course, we'll learn how to compensate for possible out-of-phase issues that can occur when you combine several humbuckers or a humbucker with a single-coil. But next month, we'll dig into a project designed to make a Telecaster more sonically flexible. Until then ... keep on modding!
[Updated 9/15/21]
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EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the company’s line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridge’s SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridge’s SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
The Australian-American country music icon has been around the world with his music. What still excites him about the guitar?
Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the world—and what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: “When I stop singing, [my guitar] wants to say something, and he says it in a different way.” Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
It’s a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didn’t know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits he’s a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: “I’m not chasing tone, I’m pursuing inspiration.”
Wong Notes is presented by DistroKid.
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PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.