To benefit from the series option, you need to use your Strat’s dual-pickup settings—bridge + middle or neck + middle.
This month, we again dive into parallel/series pickup switching for your Stratocaster. As you may recall from last month's column [“Stratocaster Parallel/Series Switching," December 2011], an individual single-coil Strat pickup cannot be wired in parallel or series by itself—you need a minimum of two pickups for this. To benefit from the series option, you need to use your Strat's dual-pickup settings—bridge + middle or neck + middle.
Fig. 1
Fig. 1 shows how to wire two pickups in parallel with the option of running them in series. Here, both pickups are wired to a normal DPDT (aka 2PDT) switch. In the down position, both pickups are connected in parallel—the standard Stratocaster configuration. This setting yields maximum chime and twang. With the toggle in the up position, pickup No. 2's ground is lifted and no longer connected to ground. Instead, it's now connected to the hot output of pickup No. 1, with the red jumper wire on the toggle switch making the connection.
Note: With normal Strat pickups, this works right from the start, but be careful when using humbuckers with only two wires (shield + hot), or one conductor pickups, in which the pickup ground and the shield wire are not separated. If you're working with humbuckers, be sure to use a unit with a 4-conductor wire that has the pickup ground separate from the shield wire, or let someone who knows what he's doing convert your standard humbucker. Desoldering the metal case and working with the super-thin internal pickup wires requires the right tools and some experience to avoid ruining the pickup. Ungrounding the shield will work, but you'll hear a buzz when you touch the pickup's metal casing, because the metal case will be included in the pickup circuit. The same holds true for single-coils with a metal casing that is connected to the pickup ground—and this includes all standard Telecaster neck pickups! We'll discuss this topic in detail in future columns.
So how can we add series switching to a Strat? There are many ways to do this, and if you do a Google search you'll find several approaches to series switching. Unfortunately, some of them are simply wrong. Most use two additional switches or complicated rotary switching, or wild combinations of these elements—sometimes even in conjunction with a 5-way super-switch.
Yes, we have to move more wires for this mod than we've done before, but after more than three years of Strat mods, you're no longer a novice, right? Series wiring is one of the supreme challenges in Strat modding, but you can do it!
My favorite Strat series-switching scheme only uses one normal DPDT switch and only affects the dual-pickup positions.
Fig. 2 shows the schematic in all its glory.
As always, you can use an additional mini toggle DPDT switch for this mod. Or, if you Adding Series Switching to Your Strat BY DIRK Wacker don't want to alter the stock appearance of your Strat, you can use a push/pull or push/ push pot of your choice. Most push/pull and push/push pots include a DPDT switch, so this shouldn't be a problem.
Operating this circuit is very easy: With the switch in the down position, both pickups are wired in parallel—the standard setting—when you select position 2 or 4 (bridge + middle or neck + middle).
But flip the switch up in position 2 or 4, and the respective two pickups are then wired in series to beat the devil out of your tube amp. In the other single-pickup positions (1, 3, and 5), the DPDT switch has no effect. That's easy enough, isn't it?
Another benefit of this particular approach to series switching is that it moves only the minimum wires required to do the job. Simple and clean. (The only downside of this mod occurs if you also use the “seven-sound mod" on your Strat. In that case, it will not connect the bridge and neck pickup together in series as well. If you need both mods, there's no way around having to install a second additional switch or a rotary switch with enough poles to accommodate all the positions.)
The schematic also incorporates individual tone caps for the middle and neck pickups, something I highly recommend for series wiring. You should lower the standard values a little bit, to prevent your tone from getting muddy in the series settings. Try 0.015 μF for the middle and 0.01 μF for the neck pickup.
As you can see, I chose to connect the middle pickup to the DPDT toggle switch. Because the middle pickup is involved in both dual-pickup positions, you only need one switch to give you two new tones. (This also explains why this wiring won't work for the seven-sound mod's combination of bridge + neck pickup. The middle pickup isn't active in this setting.)
On this note, we'll close out our Stratocaster mod series and shift over to Telecaster and Esquire mods next month. We'll start with a brief inspection of your guitars and look at some cool mods to enhance their primary tone. Until then, keep on modding!
[Updated 1/12/21]
- Strat Series Wiring for a New Decade - Premier Guitar ›
- Three Must-Try Guitar Wiring Mods - Premier Guitar ›
- Mod Garage: Four Ways to Configure a 4-Conductor Humbucker ... ›
From full-size to mini, these six pedals deliver funky “chickas,” screaming, fuzz-infused lead tones, and more.
The variations on a classic stompbox bring you tonal versatility and more!
Xotic XW-2 Wah Pedal
The Xotic XW-2 Wah Pedal is a high-quality, versatile stomp that creates a ’70s-style “throaty” wah sound.
xotic.us
Sonicake FlipWah
The FlipWah combo pedal combines a classic wah and active volume pedal in one, with a footswitch to select between the two modes. A Q knob adds even more versatility.
sonicake.com
$79 street
McCon-O-Wah McWah
The McWah-2B delivers classic tone with modern upgrades. Handwired, adjustable, and durable, it features a custom pot and true bypass for optimal sound. Inspired by the original, legendary wah pedal.
mcconowah.com
$428 street
Dunlop Jerry Cantrell Rainier Fog Cry Baby Wah
This Cry Baby signature model complements Jerry Cantrell’s sound with a dark, punchy voice, a wide sweep, and a control on the side for fine-tuning the toe-down frequency.
jimdunlop.com
Dunlop CBJ95 Cry Baby Junior Wah Pedal
The Cry Baby Junior Wah features front-mounted jacks and an 8" housing for clean configurations on the world’s most popular boards.
jimdunlop.com
Dunlop Cry Baby Daredevil Fuzz Wah Pedal
A collaboration with Daredevil Pedals, this Cry Baby Wah combines the bright, aggressive vocality of a modded Cry Baby Wah with a custom fuzz circuit that’s downright gnarly.
jimdunlop.com
Leveraging 3D printing technology, the new Floyd Rose Original locking nuts are designed to deliver unmatched precision and consistency, replacing the traditional “lost wax” casting method that dominated for decades.
The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
With flexible voltage adjustments, precise control, customizable protection, compact design, and affordable pricing at $299, the Brownie is the ultimate solution for optimizing tone and safeguarding your gear.
AmpRx, the trusted name behind the industry-renowned BrownBox, has unveiled its newest innovation: The Brownie, a voltage-optimizing power supply for modern amps and the first of its kind.
Designed by AmpRx co-owner and CEO Cassandra Sotos (2024 NAMM Female Entrepreneur of the Year), the Brownie provides unparalleled control, flexibility, and protection specifically for modern tube amplifiers by allowing the player to both increase and decrease voltage with volt-by-volt precision.
Priced at $299, the Brownie offers an affordable and essential solution for protecting your investment in your high-quality tube amp. It allows you to optimize your tone and safeguard your gear from variations in voltage by givingthe ultimate advantage: knowing exactly what you’re feeding your amp.
Known as the secret weapon of touring professionals, AmpRx products have been spotted on stage with bands like the Red Hot Chili Peppers, Lynyrd Skynyrd, Zac Brown Band, Iron Maiden, and many more. AmpRx is now bringing its game-changing technology to an even broader audience with this compact, affordable, and versatile product. Try the Brownie for yourself and discover exactly why artists, amp designers, and technicians rely on AmpRx to provide consistent sound, performance, and extend the life of their gear.
The Brownie will be available January 20th, 2025, presented at NAMM Global Media Day and on display at Booth #5630.
WHAT MAKES THE BROWNIE SPECIAL? Building on the success of the flagship BrownBox, the Brownie offers key innovations tailored for modern amplifiers:
- Flexible Voltage Adjustments: The Brownie is the first in the AmpRx line to both decrease and increase voltage, providing optimal performance for modern tube amps (often at 117-120V).
- Precise Control: Adjust voltage in ultra-precise -1V increments when decreasing, and by +3V or +5Vwhen increasing, allowing musicians to fine-tune their tone with precision.
- Customizable Protection: The Brownie ensures safe operation, putting control directly in the player's hands, and includes two fuse options: 2A for smaller setups and 4A for larger setups, ensuring compatibility with diverse gear.
- Compact and Portable Design: Smaller and lighter than the original BrownBox, the Brownie is perfect for musicians seeking portability, durability, and streamlined functionality. It can even fit on a pedalboard or in a backpack.
- Wide Accessibility: At just $299, the Brownie offers professional-grade voltage control at a price point that’s accessible to musicians everywhere.
Email sales@brownbox.rocks to order and stop by NAMM Booth #5630 to see the Brownie in action, talk with the owners, team and artists, and see exactly why so many people insist onAmpRx products when they make music.
For more information, please visit brownbox.rocks.