Here’s the secret for reducing unwanted hum and noise without losing sparkle and highs.
For years, folks have been debating the pros and cons of shielding single-coil pickups. You may have tried this yourself, only to have been disappointed at the loss of high end. But here's the good news: There is a way to reduce unwanted noise without losing the clarity and sparkle we crave from great single-coil pickups, and I'll show you how to do it now.
The Challenge
We all know the problem, right? Single-coils have a clear, bell-like tone with a lot of highs, but they are very prone to pick up hum and noise, and this can be a nightmare in the studio or onstage. If you want to keep your original single-coil pickups—and not swap them out for humbuckers—you can mod your guitar in three steps to banish the noise. But first, you'll want to complete two preliminary stages.
Shield the pickguard and guitar cavity. The web is full of great DIY instructions for doing this, so I won't rehash that info here. But I will add one thing: In my experience, copper foil is superior to aluminum foil or tape, as well as all forms of shielding paint. And remember, it's crucial that all shielding materials are connected to ground. Otherwise they're mostly useless.
Photo 1 — Courtesy of singlecoil.com
Replace standard wire with shielded wire. This is a simple swap: Substitute shielded wire for all the standard wire in your guitar. Keep in mind that the braided shield of all the new wire must be connected to ground. (You can also replace the two standard wires on your single-coil pickups with shielded wire, and in a moment, I'll explain when and how to do this.)
Okay, now we're ready to shield the pickups. It's not a complicated task and you don't need much in the way of materials, but you must do it correctly. If you don't, all the marvelous high end of a single-coil goes down the toilet. Every week I get at least one emergency call from someone who tried to shield a Strat's pickups and wound up with a dull and lifeless-sounding guitar. It's a hassle to undo the mistake, so let's get it right from the get-go. Ready?
Every week I get at least one emergency call from someone who tried to shield a Strat's pickups and wound up with a dull and lifeless-sounding guitar.
We'll start with the materials. As shown in Photo 1, you'll need conductive, self-adhesive copper tape, self-adhesive pickup-coil tape, a piece of solid-core wire, and some alcohol or naphtha. These items don't cost much, and you can buy the copper tape and pickup-coil tape on eBay or from luthier and pickup-building suppliers. For this project, our guinea pig is a standard Stratocaster pickup. For this type of pickup, the ideal width for the tape is 3/4" (approximately 19.1 mm).
Step 1: Protect the pickup's windings.
This is where the pickup-coil tape comes in. When you look at a standard Strat pickup without its plastic cover, you'll see the windings are unprotected. If you left them this way, you'd be affixing the copper tape directly to the windings. But even the back of the copper tape is conductive, so if there's any damage to the thin coating on the windings, the resulting contact will short out the pickup. Older pickups are particularly vulnerable to this, so to avoid the problem, we'll carefully wrap the pickup-coil tape around the windings to completely cover them.
Photo 2 — Courtesy of singlecoil.com
In most cases, you'll need two wraps to accomplish this. Don't worry if one wrap overlaps the other, and be particularly careful to cover everything at the base of the pickup—an area that's often overlooked. You don't want any of the copper windings peeking through, so to be on the safe side, I like to partially cover the base with tape. Using a pair of small scissors, I'll cut a thin strip of tape, then fold it down and press it onto the base, all around the windings. By the way, if you ever need to remove this special pickup-coil tape, you can easily do this without damaging the pickup. Photo 2 shows what the pickup looks like after it has been wrapped.
Step 2: Surround the pickup with copper tape.
Photo 3 — Courtesy of singlecoil.com
The copper tape's 3/4" width is perfect for surrounding the pickup because you only need one wrap to accomplish this (Photo 3). But it's essential that the two ends of the tape don't touch each other. This means no overlap and, of course, no solder connecting the two ends of the copper tape.
Photo 4 — Courtesy of singlecoil.com
It's crucial to have a little gap between the two ends of the tape to keep all the high end alive (Photo 4). Not having the gap is exactly why so many shielded pickups lose all their highs, and in a moment, I'll explain the reason.
Note: Be sure the gap isn't right where the pickup's two wires are attached, because in the next step, we'll need that space to connect the copper wrap to ground. Otherwise, it's not important where the gap is or how wide it is. I like to place the gap on the opposite side of the pickup from where its two wires are attached.
Why is this little gap so important? If you close the copper-tape wrap so the two ends make contact, the loss of all high end is unavoidable. You'll often read this is because the capacitance of the pickup's winding increases against ground. While this is electrically true, it is not the reason for the loss of high end. The real reason for the high-end loss are eddy currents in the metal film, which act like a shading coil in a transformer. The gap breaks the eddy currents and the loss of high end is minimal—and in most cases, not even audible.
Step 3: Connect the copper tape to the pickup's ground.
In this last step, we engage the shielding function. This is also the point to decide if you want to swap the two standard pickup wires for a shielded cable. If you elect to do this, simply connect the braided part to where the black wire was originally connected, and the hot of the shielded wire to the white wire's former location.
Photo 5 — Courtesy of singlecoil.com
Take a piece of solid core wire and solder it to the spot where the black pickup wire connects to the base. Next, use some alcohol or naphtha to clean the area on the copper tape where you plan to solder the solid wire. This cleaning makes the soldering process much easier because the solder sticks perfectly to the copper. After the area dries, solder the wire to the copper tape (Photo 5).
Photo 6 — Courtesy of singlecoil.com
Note: Be sure the wire is long enough that you can bend it toward the copper foil (Photo 6) to allow the plastic cover to fit over the pickup.
Congratulations—you're done! In a future installment of Mod Garage, we'll apply everything we worked out today to shielding plastic pickup covers. Again, we'll do it the right way so you don't lose any high end.
But next time, we'll continue our study of pickup parameters by bringing phase and polarity together. Until then ... keep on shielding!
[Updated 8/16/21]
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Featuring updated circuits for maximum fidelity, intuitive controls, and true stereo capabilities, this pedal offers a rich chorus effect with tube-like overdrive.
Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley's laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we've ever achieved.
Key Features of the Rotary
- Sculpt your rotary tones with our finest sounds to date
- Updated circuits for maximum fidelity
- Simple and intuitive controls for live and studio use
- New LED speed indicator - Become one with the sound
- True Stereo for perfect integration in modern rigs
- True or Buffered Bypass - Switchable on the fly
Sculpt Your Sound:
- Blend: Find the perfect mix between dry and wet signals for a subtle warble or a full-on sonic whirlpool.
- Drive: Dial in tube-like harmonic saturation that adds depth and character to your tone!
- Mid Boost: Three different EQ curves to fatten up the stereo chorus effect.
Rotary in Motion:
- Dual Speed: Choose between two distinct rotation speeds for classic slow warble or a more dramatic, fast chorus effect.
- Brake: Instantly slow down the rotation for a cool "stopping" effect, adding a dynamic touch to your playing.
- Adjustable Ramp: Control the speed transition between slow and fast for smooth or dramatic soundscapes.
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- Light Show: Set the mood with the optional pulsing LED that reacts to the rotary effect, adding a touch of visual flair to your performance.exclamation
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Pearl Jam announces U.S. tour dates for April and May 2025 in support of their album Dark Matter.
In continued support of their 3x GRAMMY-nominated album Dark Matter, Pearl Jam will be touring select U.S. cities in April and May 2025.
Pearl Jam’s live dates will start in Hollywood, FL on April 24 and 26 and wrap with performances in Pittsburgh, PA on May 16 and 18. Full tour dates are listed below.
Support acts for these dates will be announced in the coming weeks.
Tickets for these concerts will be available two ways:
- A Ten Club members-only presale for all dates begins today. Only paid Ten Club members active as of 11:59 PM PT on December 4, 2024 are eligible to participate in this presale. More info at pearljam.com.
- Public tickets will be available through an Artist Presale hosted by Ticketmaster. Fans can sign up for presale access for up to five concert dates now through Tuesday, December 10 at 10 AM PT. The presale starts Friday, December 13 at 10 AM local time.
earl Jam strives to protect access to fairly priced tickets by providing the majority of tickets to Ten Club members, making tickets non-transferable as permitted, and selling approximately 10% of tickets through PJ Premium to offset increased costs. Pearl Jam continues to use all-in pricing and the ticket price shown includes service fees. Any applicable taxes will be added at checkout.
For fans unable to use their purchased tickets, Pearl Jam and Ticketmaster will offer a Fan-to-Fan Face Value Ticket Exchange for every city, starting at a later date. To sell tickets through this exchange, you must have a valid bank account or debit card in the United States. Tickets listed above face value on secondary marketplaces will be canceled. To help protect the Exchange, Pearl Jam has also chosen to make tickets for this tour mobile only and restricted from transfer. For more information about the policy issues in ticketing, visit fairticketing.com.
For more information, please visit pearljam.com.
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.