Fat tones from a sweet niche where Les Paul, Gretsch, and Telecaster share the limelight.
Copious, unexpected tones. Cool, useful bass contour control. Very nice build quality. Excellent value.
Reverend Flatroc Bigsby
If you only pay casual attention to Reverend guitars, it’s easy to overlook how different their instruments can be. Some of that may be due to the way Reverends look. There are longstanding styling themes and strong family likenesses among models that can make differentiation a challenge for uninitiated guitar spotters. For instance, the Flatroc reviewed here has more or less the same body as the Charger, Buckshot, and Double Agent OG (which has an entirely different body than the more Jazzmaster-like Double Agent W). If you don’t have an experienced Reverend enthusiast at your side, it can all be a bit mind bending.
Dig deeper though, and the Reverend world yields many surprises. And few Reverends typify the company’s we-go-our-own-way sound and aesthetic quite like the newly resurrected, Korea-built Flatroc with Retroblast humbuckers and a Bigsby. There are many reasons to assume that the Flatroc is an homage to Gretsch. The Bigsby and pickups (at least outwardly) hint at that styling direction. But the Flatroc sounds and feels, at many turns, more like a Les Paul. And the wealth of unique tones made possible by the clean-to-nasty Retroblast pickups and the powerful bass contour control mean the Flatroc covers the sonic range of several guitars. Indeed, this Flatroc is a compelling option if you have the same-old-solidbody blues.
Days of Future Blasts
Reverend’s Retroblast humbuckers, which look like a cross between a Gretsch Filter’Tron and a Rickenbacker Hi-Gain, are the heart of the new Flatroc. Reverend calls the Retroblasts mini humbuckers, and they are certainly that in the sense that they are smaller than PAF-style pickups. But where mini humbuckers of the Gibson variety are colored by an almost single-coil-like snap that could be a Stratocaster on steroids, Retroblasts sound and feel much more muscular, with a pleasantly compressed, big-cat-growl tonality and the capacity for volume-attenuated clean tones that align much more with a PAF.
While the PAF-ness of the Retroblasts is easy to hear, the Reverend bridge pickup is technically a bit hotter at 11k ohms than the average vintage-style PAF, which tends to be closer to the 7-9k ohm range. The Reverend pickup also uses alnico 5 magnets, which tend to be a touch livelier and punchier. The neck Retroblast’s 6.5k ohms is more in line with vintage PAF specs, but still uses the punchier alnico 5 magnet.
Burly Bass to Sweet and Smooth
If the Retroblasts were stuffed in some econo-punk version of the Flatroc without tone or volume controls, they would still be impressive and very colorful pickups. But they are made infinitely more flexible for the bass contour knob, which seems especially well suited for these units. The bass contour is a simple filter control, but it’s super effective. And it’s hard to imagine why more manufacturers don’t embrace some version of it—especially when situated in its easy-access location on the upper bout.
The control has expansive range, and in the bridge position alone you can move from beefy PAF-style tones and approximations of a Fender Wide Range’s big, bright colors, to thick, concise Rickenbacker Hi-Gain chime, Stratocaster zing, and even the charmingly thin tones of ’60s budget electrics.
In the bridge position alone you can move from beefy PAF-style tones and approximations of a Fender Wide Range’s big, bright colors, to thick, concise Rickenbacker Hi-Gain chime, Stratocaster zing, and even the charmingly thin output tones of ’60s budget electrics.
The bass contour isn’t just a powerful guitar tone shaping tool. It can also totally recast the personality of your overdrive, distortion, and fuzz boxes in ways simple volume and tone controls do not. Using just the neck pickup and the bass contour control, the output from a Supro amp-inspired overdrive readily moved between molasses-thick and mammoth-coat wooly to bright and hyper-articulate without any adjustment from the guitar volume or tone knobs.
Tone options are so copious in the Flatroc that it can be hard to find a perfectly balanced relationships between volume, tone, and bass contour knobs at first. But practice makes perfect, and ultimately the control setup is intuitive, fun, and almost painterly in its capacity to subtly shift tone shades over the course of an extended solo or in between song sections.
The Flatroc shares at least one other attribute with a Les Paul: Between the korina body and Bigsby hardware, it’s heavy—only a pound or so less than a Les Paul—so it’s worth investing the time in a few sessions with the guitar to make sure it isn’t a couple pounds too weighty. With mass, though, comes a sense that this an exceptionally solid and well-built guitar. It’s highly tuning-stable—especially for a Bigsby-quipped instrument—thanks to the top-notch setup and Reverend Pin-Lock locking tuners. The build quality verges on perfect, too. The transparent white-over-korina finish reveals just a hint of grain in the fashion of a late-’50s ash Telecaster—a classy and subtly luxurious look. And everything from the fretwork to the neck joint lend the feeling of an operation where cutting corners is an absolute no-no.
Even if you think you’ve got Reverend guitars figured out, you should not underestimate how unique the Flatroc Bigsby sounds and feels. The impressive pickups and controls fill unique tone niches that lurk between Gretsch, Les Paul, and Rickenbacker sounds—putting everything from low-octane indie jangle to corpulent, smoky sounds of doom at your fingertips. Creating and re-shaping tones feels effortless, inspiring, and exciting. It’s one of the most tuning-stable Bigsby-equipped guitars I’ve ever played. Factor in the extra-expressive potential of the vibrato, plus the guitar’s intrinsic, inviting balance, and it adds up to a reliable, stable, performance-centric instrument that can soar in live situations and reward meandering creative spirits in pursuit of new songs and sounds.
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Kick off the holiday season by shopping for the guitar player in your life at Guitar Center! Now through December 24th 2022, save on exclusive instruments, accessories, apparel, and more with hundreds of items at their lowest prices of the year.
We’ve compiled this year’s best deals in the 2022 Holiday Gift Guide presented by Guitar Center.
Mystery Stocking is coming soon! Sign up for PG Perks below so you don't miss it.
Sign up for PG Perks on the form below to make sure you don't miss the launch announcement!
About Mystery Stocking
Each year, Premier Guitar likes to put out these mystery boxes as a part of bringing some fun to the holiday season. Remember, this is supposed to be a fun holiday treat! If the contents of this box will ruin your holiday, deplete the last of your bank account, or end your ability to see the good in humanity, it may not be for you.
- This year's Mystery Stocking will cost $44.95. ($39.95 + $5 Flat shipping)
- Each box will be guaranteed to contain $40 or more in value.
- US only. (Sorry World.)
- Make sure your shipping address is correct.
- Have your credit card ready to go before you refresh the page. Paypal is not available. Autofill may not fill in your information.
- There will be NO REFUNDS given.
- There has been a huge demand for these in the past. We really did sell out in less than 4 minutes last year. When they are gone, they are gone.
- One per household, one per person.
Q: What's in the Mystery Stocking?
A: It wouldn't be much of a surprise if we told you, now would it?
Q: Will I definitely get my money worth?
Q: Can I return it if I don't like it?
A: Nope. All sales final.
Q: What if I live outside the US?
A: Sorry, US only.
Q. How much is it?
A. $39.95 Plus $5 shipping
Q. When will it ship?
A. On or before December 10, 2022.
Q. What form of payment do you accept?
A. Credit cards only. Sorry, no Paypal for this.
Q. Can I ship to a different location than my billing address?
Q. I tried last year and didn't get one. Will I get one this year?
A. There is an overwhelming demand for Mystery Stocking. Be sure you have a fast internet connection and be ready when they go on sale. Last year we sold out in 3 min 33 seconds.
Q. I want to buy 5. How can I buy 5?
A. You can't. This year, we're limiting to one per household, so more people can get in on the fun!
Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
Origin Effects introduce the new M-EQ DRIVER mid booster & drive pedal. Based on a vintage Pultec studio EQ, this unique pedal offers a range of mid-focused tones, from a subtle mid boost to thick, resonant overdrive. Featuring the Adaptive Circuitry recently introduced on their Halcyon Green Overdrive, Origin Effects have brought us a pedal with a character all of its own and a new flavor of drive.
A choice of three mid-range frequencies ensures that you can boost just the right part of your guitar signal and, when pushed harder, can elicit a range of saturation from a classic “mid-hump” overdrive to fierce “cocked wah” distortion. Thanks to the Adaptive Circuitry, the high-end roll-off of the Cut control is reduced as the pedal cleans up. This allows for a smooth transition from warm overdrive to bright clean tones in response to playing dynamics or guitar volume knob changes.
Introducing... M-EQ DRIVER || Mid Booster & Drive
Built-in the UK to the highest standards, the M-EQ DRIVER continues the Origin Effects tradition of vintage, studio-inspired tones in modern guitar pedals. The Origin Effects M-EQ DRIVER is available now from Origin Effects dealers worldwide.
RRP: 259 GBP (Inc VAT) / 319 USD (Ex TAX)
For more information, please visit origineffects.com.
The new finish, according to Lava Music, is “inspired by the beauty of the golden hour,” a shining time just before sunset and after sunrise when photographers covet to capture stunning pictures.
With bright and warm golden hues, the new finish adds a brilliant metallic glow to the surface of Lava ME 3, complementing its AirSonic 2 carbon fiber unibody which features L3 Preamp with FreeBoost 2.0, delivers industry-leading sounds by breakthrough acoustic technologies, and houses a multi-touch display powered by Lava-developed HILAVA system.
Speaking of the HILAVA system, Lava Music also added four new effects: Nebula, Desert Rose, Cassette, and Edge of Breakup. As unique as their names sound, they are very much different from what we normally know about effects. Programmed into the HILAVA system, each of the four is powered by the company’s latest ArctanDrive algorithm and incorporates effects like Pitch Shift, Delay, and Reverb. And every one of those incorporated sub-effects comes with various parameters that players can adjust to design unique, overdriven sounds by just tapping on the multi-touch display. That said, those effects enable users to play with overdriven tone on an acoustic-electric guitar without even plugging in any external gear.
LAVA ME 3 | Now in Golden Hour | LAVA MUSIC
Lava Me 3 in Golden Hour is now available starting from $999 on LAVA MUSIC, Amazon, and local guitar dealerships near you.
For more information, please visit store.lavamusic.com.