An articulate, immaculately constructed Annapolis native that speaks in many voices.
An extremely well-made guitar boasting easy playability, stand-out looks, and super-impressive sonic versatility.
It's pricey. You'll want to ensure you're onboard with the Narrowfield voice before you invest.
$4,660 with 10 Top, as reviewed ($4,000 with standard top)
PRS Studio
prsguitars.com
Even among a stable of instruments known for their versatility, PRS's Studio model is arguably one of the company's most sonically and stylistically malleable instruments. Reintroduced to the U.S.-made Core lineup for 2021 after first appearing in 2011, this new Studio is hyper-flexible, configured with a distinctive humbucker set and modified switching that takes that versatility up a notch.
Salsa Verde
Whether or not you're a habitual PRS player, it's almost impossible to cradle a guitar like the Studio and not find yourself in free flowāplaying away without pausing to think "is this neck right for me?" or "maybe I'll tweak the action." The Studio feels good right off the bat.
It looks right, too. PRS is fond of fancy dress in general, and our review sample is gorgeous in person, without being over the top (a perspective dependent on your own tastes, of course). The "Eriza verde" finish lends a lively, three-dimensional sense of motion to the flame in this maple 10 Top, and beautifully contrasts the dark-brown rosewood fingerboard and stripy rosewood headstock overlay. The natural mahogany of the back and neck display a premium grain, while the abalone bird inlays and mixed gold-nickel hardware add further visual excitement.
The set neck is carved in what PRS calls their "pattern" shape, which many players consider ideal. It's a full-feeling '59 Les Paul-inspired profile with a very slight V, soft shoulders, and an easy playing feel. The nut width is 1 11/16" and the scale length is PRS's traditional 25". Put it all together, and the playing weight is around 8.2 pounds, which is quite reasonable for a chunk of solid mahogany and maple.
So, with many of these features being familiar components of other PRS Core models, what makes a Studio a Studio? It's the pickup selection, by and large. In addition to the 58/15 LT humbucker in the bridge position, the guitar comes with a pair of PRS Narrowfield pickups in the middle and neck positions. Narrowfields have returned to the lineup for 2021 in the Studio and just one other model. These narrow humbuckers possess a more single-coil-like magnetic field, delivering a tone that's somewhere between a full-sized humbucker, a P-90, and a narrower single coilāall with the benefit of hum cancelling performance. Add a push-pull coil split for the 58/15 LT on the tone control and a 5-way blade switch, and you've got seven distinct pickup settings.
These narrow humbuckers possess a more single-coil-like magnetic field, delivering a tone that's somewhere between a full-sized humbucker, a P-90, and a narrower single coil.
Hardware includes PRS's well regarded Gen III tremolo, and Phase III locking tuners. They pair with a lubricated nut to keep the guitar in tune, regardless of heavy vibrato use. Playability is faultless all across the board.
Bucking the Trend
Played through a 50-watt Friedman Small Box head and 2x12 cab, a custom tweed Deluxe-style 1x12 combo, and a Neural DSP Quad Cortex into studio monitors, the Studio delivered the versatility that the design promises, hopping confidently between varied sounds and styles. It pivots from grinding heavy rock to mellow balladry at the flick of a switch. The sounds are meaty, original twists on the HSS range of tones you once encountered on the average superstrat. The middle, neck, and in-between voicings are thicker, fatter, and gutsier than genuine single-coil pickups would be. That, of course, is entirely the idea.
By sacrificing some of the single-coil glassiness and the trebly spikiness of a traditional Strat single-coil, the Narrowfields add extra grunt to near-clean tones, edge-of-breakup settings, and overdrive sounds from a Tsakalis Six, JHS Angry Charlie, my amps, and the Neural. These pickups shine when you ask them to crunch and wail.
The 5-way switch, varied voice of the Narrowfields, and coil-split humbucker mean you can ably deliver convincing Strat-like sounds in the in-between positions, though they are generally darker than a true Stratocasterāa tone signature that's further colored and re-enforced by the mahogany/maple construction and glued-in neck. The format is a great alternative for HSS superstrat players of old who came to regard the high-output pickups typical in such guitars a touch too spiky and yearn for more grit and gristle to go with the snap and chime. And when you want to skip approximation of single-coil sounds entirely, you can revel in Les Paul-like girth and grind when the bridge humbucker is unleashed with all coils blazing.
The Verdict
The PRS Studio provides a super-solid foundation that's defined by great woods, great components, and high attention to detail that closely allies it with other PRS cornerstone models like the Custom and McCarty. What really differentiates the Studio, though, is the pickup set, and while this configuration might not be for everyone, it's a fatter, thick-sounding twist on the do-it-all HSS template that offers maximum flexibility to so many players. It's not cheap. But it isn't meant to be, and both longtime PRS fans and newcomers to the brand will likely appreciate the substance and versatility that investment delivers here.
PRS Studio Demo - First Look
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Brent Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing.
Professional transcriber Levi Clay has done the deepest of dives into Brent Masonās hotshot licks. At one point, he undertook the massive project of transcribing and sharing one of Masonās solos every day for 85 or so days. Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing. Levi shares the insight he gleaned from digging deep, and he tells us what it was like when they shared a stage last year. Plus, Levi plays us some great examples of Masonās playing.
For the first time ever, two guitar greats, John 5 and Richie Kotzen will be heading out on the road this year. The tour will launch October 16 and run through November, hitting markets across the U.S.
Find the full tour itinerary right plus a link for tickets & VIP, including additional dates featuring John 5 only. Reserved seating tickets will go on sale Friday May 16 though a fan presale will begin today at noon local time and fans are strongly encouraged to buy early to get the best seats.
Meet and Greets for both artists will be available. For John 5 please go to: https://john5store.com/collections/vip.
Today, John 5 also announces more details of his anticipated new album. Called The Ghost, it will be released October 10 and is led by the new track āFiend,ā featuring Kenny Aronoff.
John 5 continues running public tours this month for his Knights In Satanās Service Museum of KISS Memorabilia in Los Angeles, California. Guided tours are open to the public for one month only (with a possible expansion). Current dates available are May 12-16, May 19-23 and May 27-30. Each will be led by John 5 himself who will provide tons of rich detail and answer any questions. Secure your place HERE.
JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025.RICHIE KOTZEN &
JOHN 5 FALL 2025 TOUR
October 16 El Cajon, CA @ Magnolia
October 17 Riverside, CA @ Fox Performing Arts
October 18 Roseville, CA @ Goldfield Trading Post
October 19 San Jose, CA @ The Ritz
October 21 Phoenix, AZ @ Celebrity Theatre
October 22 Albuquerque, NM @ KiMo Theatre
October 24 Dallas, TX @ Granada Theater
October 25 Leander, TX @ The Haute Spot
October 27 New Orleans, LA @ House of Blues
October 28 Memphis, TN @ Minglewood Hall
October 29 Nashville, TN @ Fogg Street Lawn Club
October 30 Atlanta, GA @ Variety Playhouse
October 31 Orlando, FL @ House of Blues
November 1 Fort Lauderdale, FL @ Culture Room
November 2 Clearwater, FL @ Capitol Theatre
November 4 Richmond, VA @ The National
November 5 Leesburg, VA @ Tally Ho Theater
November 6 Patchogue, NY @ Patchogue Theatre
November 11 Glenside, PA @ Keswick Theatre
November 12 Derry, NH @ Tupelo Music Hall
November 13 Foxborough, MA @ Six String Grill & Stage
November 14 Stroudsburg, PA @ Sherman Theater
November 15 Lorain, OH @ Lorain Palace Theatre
November 16 Columbus, OH @ The King Of Clubs
November 17 Warrendale, PA @ Jergels
November 19 Wyandotte, MI @ District 142
November 20 Flint, MI @ The Machine Shop
November 21 Fort Wayne, IN @ Piereās
November 22 St. Charles, IL @ Arcada Theatre
November 23 Belvidere, IL @ Apollo Theatre
November 25 Denver, CO @ Oriental Theater
November 29 Pioneertown, CA @ Pappy & Harriet's*
*John 5 only
AEROSMITH guitarist and songwriter JOE PERRY is set to return to the road for a series of August performances with THE JOE PERRY PROJECT. The 8-date run kicks off August 13 in Tampa, FL and wraps August 23 in Port Chester, New York, with an August 19 performance in PERRYās Boston hometown (see the itinerary below). For the North American trekāwhich marks the first solo shows for PERRY this yearāthe legendary guitarist will be joined by his Aerosmith bandmates Brad Whitford (guitar) and Buck Johnson (keys), along with The Black Crowesā Chris Robinson (vocals), and Stone Temple Pilotsā Robert DeLeo (bass), and Eric Kretz (drums).
āWellā¦itās time to let the music do the talkin again,ā PERRY says. āIām really excited about the JPP line up this year!!!! Most of these guys played with me at The Roxy in L.A. at the debut event for my latest solo album [Sweetzerland Manifesto] in January 2018. Theyāre all busy as hell but thankfully theyāre able to carve out some time for this run. And Iām not only lucky enough to have Brad Whitford onstage with me but Chris Robinson of The Black Crowes! [who sang āFortunate Oneā on Sweetzerland Manifesto MKII], Robert DeLeo and Eric Kretz from STP!!! and Buck Johnson who plays keys and sings with Aerosmith, the Hollywood Vampires, and is also a solo artist in his own right.ā
For the shows, the Rock and Roll Hall of Fame inductee says āthe set list is gonna include my fav JPP cuts, STP, Black Crowes, and with Brad weāll be hitting the Aero hits and some deep cuts and then ya never know!!!! Gonna be a BLAST, and if youāve ever been to one of my shows you know the words GARAGE BAND on STEROIDS come to mind! See you there!!!!ā
DATE | LOCATION | VENUE |
Wednesday, August 13 | Tampa, FL | Seminole Hard Rock - Tampa |
Thursday, August 14 | Hollywood, FL | Seminole Hard Rock - Hollywood |
Saturday, August 16 | Toronto, ON | HISTORY |
Sunday, August 17 | Muskoka, ON | Kee to Bala |
Tuesday, August 19 | Boston, MA | Wang Theatre |
Wednesday, August 20 | Hampton Beach, NH | Hampton Beach Casino Ballroom |
Friday, August 22 | Mashantucket, CT | The Premier Theater at Foxwoods Resort Casino |
Saturday, August 23 | Port Chester, NY | Capitol Theatre |
A sample page from the authorās analog log.
Seasonal changes are tough on your acoustic. Hereās how you can take better care of your prized instrument.
As you read this, spring is in bloom in most of the US, or maybe it has been for some time. Iām timing this column specifically to ask acoustic guitarists, in this season of increasing humidity and comfortable conditions, to prepare for whatās coming. Itās never too soon, and time flies. Before you know it, weāll be back to the maintenance phase and you might be blowing up the phones of your local guitar shops, luthiers, and techs. Iām here to encourage a decidedly old-school approach to preventative guitar maintenance, and yes, it starts now.
Why, you ask? Well, as the lead luthier at Acoustic Music Works, I can tell you that in my nearly 15 years in this position, this was the worst winter ever for preventable repairs on acoustic guitars. Fret sprout, bridge lifts, top sink, soundboard cracks, back cracks, loose binding, general malaise⦠These hit us very hard in the winter that spanned 2024 and 2025. Am I complaining? On the one hand, no. This is part of how we make our money. On the other hand, yes! Repair schedules related to dryness and humidity issues can stretch into weeks and even months, and nobody wants to be without their favorite instruments for that amount of time. With a little thoughtfulness, however, you might get through next winter (and every one thereafter) without hefty repair bills or time apart from your musical companion.
Our preparation is going to start with an unlikely but very important guitar accessory: the humble notebook. Plain, lined, grid, day planner⦠it doesnāt matter. We all need to actively participate in our instrument maintenance, and in my experience, fancy apps that track humidity via Bluetooth breed a kind of laziness, a feeling of safety that might prevent us from actually physically looking in on conditions. Better we keep an analog, well, log, so that we know where things stand, and I suggest checking in daily.
āThis was the worst winter ever for preventable repairs on acoustic guitars.ā
Track your relative humidity, both in the case and in the room where your instruments mostly reside, but also take notes on your action height, top deflection (StewMac has some great tips for measuring this) and anything related to playability that you believe you can observe empirically.
Dryness is the root cause of most guitar issues that manifest in the fall and winter months. Symptoms of dryness include sharp fret ends, falling action and dead frets, sunken top around the sound hole, and cracks and bridge lifts. With your trusty notebook, youāll get a feel for the sensitivity level of your instrument, and that knowledge is power!
A few other basic implements will not only assist you in your observations, but may also satisfy your need to buy guitar-related things (at least for a minute). Getting quick and comfortable with a fret rocker is a great skill to have, and is invaluable in diagnosing buzzes due to high frets or frets that have come unseated due to dryness. A well-calibrated relief gauge might seem luxurious, but it can prevent you from making unnecessary or extreme truss rod adjustments. A string action gauge, or even a simple machinistās rule or set of feeler gauges, will help you keep track of your action. Get a three-pack of hygrometers so you can average their readings, rather than depending on one.
Lest we forget: A guitar can not only be too dry, it can also be too wet. By beginning your maintenance diligence in the spring/summer, youāll also be able to tell if your instrument is the victim of a too-humid environment. The signs of over-humidification are subtle: Your action may rise from a puffed-up top, and in extreme cases, glue joints could begin to fail. In my experience, an over-humidified guitar will suffer from dulled tone, almost like a sock in the sound hole. If youāre sensing a lack of clarity in your guitar all of a sudden, start with new strings. If it persists, it might be due to over-humidification, and you may want to introduce a desiccant to the case for a time. The more lightly built your guitar is, the more sensitive it will be to seasonal changes.
By getting into these habits early, youāll be empowered by knowing your instrument more intimately. Youāll understand when and why changes in tone and playability might have occurred, and youāll hopefully save on repair bills year-round. Feel free to reach out with any questions. Who knows? I might just send you a notebook with an AMW sticker on the cover!