An easy-to-use multi-head octave echo with solid foundational delay tones and weirdness on tap.

Deceptively deep but easy to use. Great for every day delay tones and deep freakouts.

Glitch and warp settings could get same-y over time.


SolidGoldFX EM-III Multi-Head Octave Echo


The EM-III from SolidGoldFX starts with a foundation of warm, analog-like digital delay and builds a bevy of functionality on top. It's a powerful pedal, and thanks to a simple and well-considered set of controls, it's intuitive and practical too.

The basic delay sound is easily controlled via time, repeat, and level controls, while flutter and color knobs allow users to tweak modulation and tone settings. Switching the center toggle to the left selects up to three delay heads; switching to the right activates the pedal's octave-down setting. With these controls, it's easy to access solid, foundational delay tones or head for totally twisted, but controlled, sonic space.

The self-oscillation and tape-snap sounds should be considered a requirement for any "Maggot Brain" cover you have in the works.

The EM-III's secret personality is unleashed by holding down the bypass and tap switches, which have secondary functionality for glitch and warp respectively. The self-oscillation and tape-snap sounds contained in these switches can be as weird or as subtle as you want, depending on how long you hold them down, and should be considered a requirement for any "Maggot Brain" cover you have in the works. The EM-III is a heavy hitter with a heart of gold, tons of personality, and all the warbly bliss you can imagine.

SolidGoldFX EM-III Multi-Head Octave Echo Demo - First Look

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

Read More Show less

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less