Need a new Stompbox? Find your next effect in this month's Gear Finds!
TriceraChorus
Inspired by the classic Tri-Stereo Chorus and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide’s legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative “Swirl” footswitch adds psychedelic flanging, phasing, and Univibe-style tones. It has never been easier to dial in syrupy smooth, deep modulation on guitar, bass, synths, strings, vocals, and more.
Maestro Original Collection
To be called “legendary” is to have shaped music as we know it. From the Rolling Stones to the Raconteurs. From Pete Townshend to George Harrison and from Clapton to Frampton. They strived to coax the truest expression from their instruments - the sound they heard in their heads and their hearts. Their signature sound - so uniquely shaped by effects that it changed everything. It’s the Fuzz-Tone FZ-1 that fuels the groundbreaking riff in the Rolling Stones’ “(I Can’t Get No) Satisfaction” and the funky wah filter that anchors the “Theme from Shaft.” While the impact they had on the lineage of music is also unique, many have one thing in common—Maestro. So, while not everyone has heard of Maestro, everyone has heard Maestro.
Maestro, the “Founder of Effects,” is back with an all-new line of effect pedals - the Maestro Original Collection. Five new pedals, designed, voiced, and styled for the musician looking to shape their unique sound. A tribute to the sound and style of the brand’s much-beloved classic models of the 60s and 70s, with modern features, expanded versatility, and advanced tone-tweaking capabilities. Each function as an innovative “two-in-one” pedal, with a single toggle that switches between two distinct modes. Each features a straightforward three-knob setup, true bypass switching, and an ergonomic, pedalboard-friendly wedge profile.
It doesn’t matter what you play. As long as there are sounds being made, new legends will emerge. Maestro is back to help you SHAPE YOUR SOUND.
Electro-Harmonix Intelligent Harmony Machine
The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It’s like having one – or even two – guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX’s renowned impeccable tracking and genuine musical tone.
MESA/Boogie Drive Pedals
MESA® Drive Pedals are built by the same artisans that create the award-winning Mark Five™ and the legendary Dual and Triple Rectifier® amps. They stand ready to serve up all rock genres with cut and aggression while retaining much of the signature warmth and organic sonic quality found in our amplifiers. Ranging from high to lower gain applications, including classic rock or howling blues, we have a drive pedal that will help you achieve the sounds that so many artists have employed in our amps to create the world’s heaviest guitar tones!
Progressing along the gain spectrum, the transparent boost/overdrive CLEO™ is joined by the vintage-inspired, medium gain DYNAPLEX™ and the higher gain GOLD MINE™. The CLEO is a transparent boost/overdrive design focusing on vintage-inspired low to medium gain overdrive sounds packed with dynamic nuance, lively attack, and a wide variety of essential clip sounds. Moving on to medium gain, the DYNAPLEX is all about the “British Crunch” style with classic mid punch, chirping harmonics, and the chime players desire for classic rock sounds and beyond. Progressing to the higher end of the gain spectrum, the GOLD MINE is focused on mid to high gain sounds, classic heavy chunk, and rich gain with harmonic complexity, soaring single note sounds, and the liquid gain and girth that gain lovers expect from MESA.
Like every MESA product, our pedals are built using the same quality components, craftsmanship, and inspiring performance as our custom amplifiers...all hand-built in Petaluma, California, USA!
Electro-Harmonix Pitch Fork+ Polyphonic Pitch Shifter
Dual engine pitch shifting with nearly endless possibilities and expansive control options! The EHX Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.
Pedal Pad CUSTOM PEDALBOARDS : BUILT TO ORDER!!
Pedal Pad pedalboards are hand-built for YOU in Coatesville, Pennsylvania! Our boards feature an ALL-IN-ONE solution where the board is also the case. Just pop the top and PLAY! Our ordering interface allows you to configure any board with a plethora of options. More options or requests? Just email or call and we'll make it happen! Most custom orders ship within 2-3 weeks!
Electro-Harmonix Nano Big Muff Pi Fuzz
EHX took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!
Valeton GP-200
Implementing the HD digital modeling technology accumulated throughout years of the Valeton team's diligent efforts, the GP-200 delivers hundreds of re-editions of tones from world-classic amplifiers and stompboxes with a comprehensive upgraded algorithm. Combining 140 legendary amplifiers and cabinets simulations and 100 renowned stompbox effect pedals, plus 20 factory cab IR slots, the GP-200 will guarantee your consistently great sound on stage.
Electro-Harmonix Ravish Sitar Emulator
Transform your electric guitar into a sitar! Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. With the EHX Ravish Sitar Emulator, you can create your own custom scales for the sympathetic strings while you set the decay time for the lead voice.
Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself.
The Ravish is truly a design with the flexibility to be a crossover tonal wonder.
VOX Valvenergy Pedals: Mystic Edge
Iconic amp sounds for your pedalboard. The Valvenergy series valve distortion pedals offer the warmth and harmonics of amp distortion in a compact pedal format. The all-analog signal path and Nutube allow for genuine overdrive and distortion tones with the feel of a real tube amp, while internally boosted voltage gives greater headroom and dynamics. Three output modes allow you to use this as a standard pedal, a line-level preamp, and a direct amp-sim using the built-in analog cabinet simulator.
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Acorn Amplifiers F#%k Face Fuzz
The F#%k Face is a triple gain stage fuzz with thick and meaty sustain that sounds huge in front of a slightly cranked tube amp. Baseball card collectors from the late 80’s will immediately recognize the infamous ‘error card’ graphics of the same name. The circuit is based on the legendary Fuzz with a different Face, but with an additional silicon transistor gain stage and voiced to retain more useable and dynamic fuzz tones all along the sweep of the two controls. In the front of your pedal chain, the F#%k Face will add dynamic interactivity to the volume controls on your guitar which enable a sweep from slight grit to full ripping-velcro breakup.
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Blackstar Amplification Dept. 10 Pedals
Brought to you by Blackstar’s R&D division responsible for blue-sky innovation and design, Dept. 10 are the most advanced valve pedals in the world. Meticulously designed and engineered by a team of musicians for musicians. At the heart of each Dept. 10 pedal is an ECC83 triode valve, running at more than 200V internally like a valve amp, which allows them to deliver organic tone, dynamics and break up. Dual Drive and Dual Distortion include Cab Rig, our next-generation DSP speaker simulator that reproduces the sound and feel of a mic’d up guitar cab in incredible detail. Deep-dive using our free software and capture the incredible tones via low latency USB, XLR D.I. out or headphones. Choose from Boost, Dual Drive or Dual Distortion to help you craft your perfect tone.
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Nobels ODR-mini
The ODR-mini delivers creamy, natural overdrive – Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother – the ODR-1. You‘ll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the “GitD“ – knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.
Effect-Type: Overdrive
Analog
Mono/Stereo: Mono In, Mono Out
Control: Drive, Tone, Level
Bypass Modus: True Bypass
9-18 Volt, center negative
Consumption 25 mA
Dimensions (WxLxH / mm): 42 x 93 x 50
Weight: 175 gr
Country of origin: China
Solid metal housing
Low current consumption
Requires stabilized power supply 9-18 Volt DC, with min 100 mA, 2.1 mm plug, center negative, (not included)
Hear Audio
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Darkglass Electronics Alpha Omega Photon
Versatility, empowerment, limitless options, and ever-demanding tools at the disposal of every musician and composer are today on demand. A call for inventive devices continues to make musicians more inspired, clever and connected. The Alpha·Omega Photon combines Darkglass' signature Alpha·Omega parallel distortion with the versatile format of the Aggressively Distorting Advanced Machine. In addition to powerful distortion and studio-quality compression, the Alpha·Omega Photon is capable as an audio interface via USB-C or an amp replacement using cab sim IRs and XLR DI output.
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George L's Effects Cable Kits
Enhance the tone and clarity of your pedalboard with award winning sound.
The George L’s effects kit.
The kit comes with 10’ of cable, 10 right angle plugs and 10 stress relief jackets.
Available in black, vintage red and purple.
As easy as 1, 2, 3 no soldering!
Cut, poke and screw your way to 47 years of sound excellence.
SurfyBear Metal Reverb Unit
The Holy Grail of guitar reverb effects, the Fender®-style spring reverb, has been finally revisited with modern features!
Try it and discover why most surf guitarists and the truly reverb addicted are turning to SurfyBear.
★ exclusive SurfyPan type-4 spring reverb pan by Accutronics® and Surfy Industries
★ aluminium body with removable feet on the bottom side for better positioning on pedalboards
★ clean boost to adjust the volume when the effect is on
★ innovative dual-LED on/off button
★ true bypass functionality to keep your signal intact when the effect is off
★ external footswitch possibility though the dedicated 1/4" jack (footswitch not included)
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Guitar and bass legends Steve Morse and Andy West showcase their contrasting rigs—two amps vs. no amps—and custom instruments on a Dregs reunion tour date in Nashville.
Steve Morse and Andy West are legendary players. In addition to co-founding the Dixie Dregs together in Augusta, Georgia, in 1970, both virtuosos have colorful personal resumes.
Guitar giant Morse’s is more high-profile. He remains the leader of the Steve Morse Band, who opened the Dregs’s late April show at Nashville’s CMA Theater, where this Rundown was filmed, with 45 minutes of smart shred. He’s also been a member of Kansas and Deep Purple, as well as another instrumental powerhouse, Flying Colors.
Besides his tenure in the Dregs, West has recorded with Vinnie Moore, the Steve Morse Band, Paul Barrere, and Henry Kaiser, with whom he’s been a member of the Mistakes, Crazy Backwards Alphabet, and Five Time Surprise, which also includes Messthetics guitarist Anthony Pirog. (Full disclosure: I recorded a version of Steppenwolf’s “The Pusher” with Kaiser and West as part of Kaiser’s Moods & Modes of Halloween video quarterly in 2023.)
The Music City show was classic Dixie Dregs, with more than two hours of high-wire playing, all anchored by the bold melodies that mark their compositions. Joined by longtime Dregs drummer Rod Morgenstein, violinist Allen Sloan, and special guest and former Dregs keyboardist Jordan Rudess, now from Dream Theater, the concert was an affirmation of Morse and West’s vitality and musical partnership after sharing stages for more than 50 years.
In the video, Steve and Andy explain their rigs in person and in detail. Their setups:
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The Warhorse
Steve’s number one guitar is literally serial No. 1—the first Steve Morse signature model to come out of the Ernie Ball Music Man shop in 1985. Its appointments include a Tune-o-matic bridge with thumbwheel height adjustment, a roasted maple neck, Schaller tuners, a graphite-acrylic-resin-coated body cavity and aluminum-lined pickguard, master volume and a highly responsive tone control, 22 frets, and DiMarzio’s Steve Morse signature pickups. Two toggles control his mix of humbuckers and single-coils. The wear makes this instrument a thing of beauty—it’s clearly, like its owner, led a storied life. At the headstock, you’ll notice a homemade foam mute (with Ernie Ball’s name on it) that Steve fashioned to compensate for the arthritis that makes it painful to bend his hand. That said, it doesn’t seem to slow him down a bit.
The Mute
Here’s a close-up look at Steve’s handmade mute. Currently, it’s in muting mode. Flip it up and the strings ring open.
Next!
Steve’s backup signature model has a little more chunk in its voice, and the neck pickup has more clarity, he tells us. “I could pick it up and play it all night long.” He is using Ernie Ball Paradigm Slinky strings, gauged .009–.042. And his picks are flexible nylon Ernie Balls with a serrated edge. “The hard celluloid picks really impact my wrist,” he says.
Synth-tillating!
There’s a Roland GK-3 divided pickup at the heel of Steve’s main axe, so he can use a synth to add strings and pads to accompany himself as he plays in the Steve Morse Band.
The Engl's Have Landed
Steve plays through a pair of 3-channel Engl Steve Morse signature 100-watt amps—one wet, one dry—but his volume can go down to a whisper without losing a bit of tonal depth thanks, in part, to the amps’ careful tube interaction and circuitry. In fact, Steve says he can play his nylon-string acoustic guitar through these powerhouses. He keeps the amps on their sides to disperse the sound to the left and right.
Stack of Synths
And Steve’s synth of choice is the Roland GR-55. It comes stock with 910 tones, 93 effects, and three foot-pedal controllers.
Pedal On!
His pedal chain is a Keeley Compressor, two Ernie Ball volume pedals, two TC Flashbacks, a Korg Polytune, and a foot controller for his 3-channel Engls.
Wet or Dry?
Perched atop an amp head is a GigRig wetter box, which allows Steve to fade reverb or delay into his dry-signal cabinet. The reverb and delay are generated by two adjacent TC Electronic Flashback pedals (using his own TonePrint settings) and a TC Hall of Fame reverb.
The Bass-ics
Two key components of Andy’s rig are his main G. Gould 6-string bass and these flat-response EV monitors, which serve as his instrument’s audio feed on stage. Between them is a Line 6 Helix floor unit—the sonic spine!
Good as Gould
The G. Gould was custom-made for Andy about six years ago. Despite being a 6-string, it has a 5-string neck, because he plays with a pick and prefers tight string spacing. It has a pair of EMG pickups. The neck is graphite, made by Goeff Gould, and it has two volume controls and a coil-splitter.
Second Bass
Built in 1985, this bass was designed by Andy and Geoff Gould, who was the founder of Modulus Graphite guitars. It has a graphite neck and originally had a tremolo bridge, but it started to crack the neck, due to its additional tension, so Andy had a wood block inserted plus a more conventional 6-string bass bridge. It has EMG pickups, too. The robust flame-maple finish is killer.
What's My Line 6?
Andy’s amp is a Line 6 Helix floor model and he uses a few key tones, with a lot of midrange focus, some chorus, a lower octave, and overdrive—“all really subtle,” he observes. And the signal goes directly to the EV monitors onstage. They have two 12" speakers and tweeters, and the signal also goes direct to house, of course.
Shop Dixie Dregs' Rig
Roland GK-3 Divided Pickup
Engl Steve Morse Signature 100-Watt Amps
ENGL Amplifiers E412VSB 240-watt 4 x 12-inch Amplifier Cabinet
Roland GR-55 Synthesizer
Keeley Compressor
TC Electronic Flashback
TC Electronic Hall of Fame Reverb
Ernie Ball 2023 Super Slinky Paradigm Electric Guitar Strings - .009-.042
Line 6 Helix Guitar Multi-effects Floor Processor
Electro-Voice ZLX-12P-G2 1000W 12-inch Powered Speaker Pair
Patoma Music's Original Diamond Grip Picks offer an extreme grip with a patented non-slip natural diamond grip. Handcrafted in the U.S.A. with Delrin® plastic for durability and consistent tone. Available in two lines, "The Original Line" and "The Sharp Line", with varying thicknesses.
Patoma Music is proud to announce the launch of their Original DiamondGrip Picks. They have two lines, “The Original Line” and “The Sharp Line”. The two lines of guitar picks consist of 13 Original Diamond Grip Picks in varying thicknesses. The Original Diamond Grip Pick gives the user peace of mind and confidence while playing, knowing that the pick will never slip from their hands.
The Original Diamond Grip Pick has a patented non-slip natural diamond grip that gives the user an extreme grip, unlike any pick currently on the market. The non-slip diamond grip has approximately one carat of natural diamond encrusted on it, allowing it to have a firm and secure grip like no other. The body of the picks are made of a strong Delrin® plastic that offers durability and a consistent tone. Each pick is handcrafted with the utmost precision and care and is proudly manufactured in the U.S.A.
The Original Line Thicknesses:
- Thin - .60mm Orange, .71mm Vintage White
- Medium - .88mm Green, 1.0mm Blue
- Heavy - 1.14mm Black, 1.5mm Black, 2.0mm White
The Sharp Line Thicknesses:
- Thin -.60mm Orange, .73mm Yellow
- Medium - .88mm Green, 1.0mm Blue
- Heavy - 1.14mm Purple, 1.5mm Black.
Patoma Music’s Original Diamond Grip line is available for $17.00 each on their website and at various retailers in Northern New Jersey.
For more information, please visit patomamusic.com.