Thoroughly engineered and tested, these cases are made from the same material as car seats and motorcycle helmets, so players can rest easy knowing their PRS is in the best possible protective case whether flying or traveling to local gigs, studios, or practice spots.
The new PRS ATA Hardshell Multi-fit Molded Guitar Cases are formed from lightweight, durable polyethylene and are built to military and ATA spec. All hardware is powder coated for longevity, and the ergonomic handle makes this guitar case easy to carry through the airport or to the stage. The proprietary zip-tie channel latch system provides a secure, TSA-friendly solution without the hassle of having to deal with unreliable locking systems of yesteryear.
The case’s interior features a custom-fit nest and neck cradle, designed with PRS Guitars’ Engineering team. Additional interior appointments include black plush lining and two large, hinged accessory compartments to safely store your accessories.
The new PRS ATA Hardshell Multi-Fit Molded Guitar Cases come in two styles. Identical on the exterior, these two cases were specifically designed to house PRS instruments. The “D1” (Design 1) case was designed to fit PRS classic-perimeter body shapes and many Singlecut designs, regardless of Series (Core, Bolt-On, S2, SE), including the following models: CE 22, CE 24, Custom 22, Custom 24, Custom 24 Piezo, Custom 24 Floyd, Custom 24-08, McCarty, McCarty 594, McCarty 594 Singlecut, S2 Standard 22, S2 Standard 24, S2 McCarty 594 Thinline, SC 245, SC 250, SE Swamp Ash Special, and SE Standard 24-08 Core Specialty Models, including 509, 513, Special Semi-Hollow, Studio, Modern Eagles Signature models, including DGT, Mark Tremonti, Santana Retro, Paul’s Guitar, DW CE 24 Floyd PRS ATA Hardshell Multi-Fit Molded Cases. The “D2” (Design 2) was designed to fit PRS slab-body guitars, including the following models: NF 53, Silver Sky, Fiore, and Myles Kennedy.
For more information, please visit prsguitars.com.
The live shows in New York and Los Angeles will be Gilmour’s only concert appearances in North America and will take place at The Hollywood Bowl in Los Angeles, CA on October 29 & 30 and at Madison Square Garden in New York, NY on November 4 & 5.
Fans will need to sign up at davidgilmour.com to get first access to tickets on Wednesday, May 15 at 10am local time. The general on sale for all shows will take place on Friday, May 17 at 10:00am local time.
The touring band includes: David Gilmour, guitar & vocals; Guy Pratt, bass and background vocals; Greg Phillinganes, keyboards; Rob Gentry, Keyboards; Adam Betts, drums; Ben Worsley, guitar; Louise Marshall, background vocals; Hattie Webb, background vocals and Charlie Webb, background vocals.
Luck and Strange was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with alt-J and Marika Hackman.
The majority of the album’s lyrics have been composed by Polly Samson, Gilmour’s co-writer and collaborator for the past thirty years. Samson says of the lyrical themes covered on Luck and Strange, “It’s written from the point of view of being older; mortality is the constant.” Gilmour elaborates, “We spent a load of time during and after lockdown talking about and thinking about those kind of things.”
The album features eight new tracks along with a reworking of The Montgolfier Brothers' "Between Two Points" and has artwork and photography by renowned artist Anton Corbijn.
Musicians contributing to the record include Guy Pratt & Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry & Roger Eno on keyboards with string and choral arrangements by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 at a jam in a barn at David’s house.
Some contributions emerged from the live streams that Gilmour and family performed to a global audience during the lockdowns of 2020 and 2021; Romany Gilmour sings, plays the harp and appears on lead vocals on "Between Two Points". Gabriel Gilmour also sings backing vocals.
Ryan and Pattengale join hosts Sean Watkins and Peter Harper to talk influences—what gets through into your songwriting, and what do you block out?—before digging into a downtempo plucker built around a timeless, folk-country melodic convention. Once the basic pieces are in place, though, things get interesting. The gang calls this “Burt Bacharach-ing it up;” lashing the essential elements tightly to the deck. Word choices are analyzed and tweaked, melodies are shifted ever so slightly, and chord progressions are optimized, note by note.
The quartet settles on a simple, memorable lyrical composition (“An Orbison, one-nugget snapshot”), but that doesn’t mean there isn’t space for some Adam Sandler vocal influence to counterbalance the Nebraska-era Springsteen solemnity.
