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GALLERY: Pro Pedalboards Volume I

A look at pedalboards used onstage by Deftones, Alice in Chains, Dave Matthews Band, 311, Joe Bonamassa, Eric Johnson, and many more

James Valentine (Maroon 5)
"Valentineуs board packs more tonal treats than one might expect from a pop act like Maroon 5. Valentineуs setup includes a Line 6 DL4 Delay Modeler, a Boss FV-500H Volume Pedal, a Dunlop Rotovibe, a Fulltone Full-Drive 2, a Dunlop Zakk Wylde Signature wah, a Fulltone Octvafuzz, a Keeley Katana Clean Boost, a Keeley True Bypass Looper, Providence Anadime Chorus 2, an EHX Micro POG 2, a Z.Vez Effects Octane 3, a Fulltone OCD, a Menatone Blue Collar Overdrive, and a Boss NS-2 Noise Suppressor. For switchers and power supplies, Valentine has a Divided by 13 Switchazel, a Keeley Framptone A/B Amp Switcher, and three Voodoo Lab Pedal Power 2 Plus boxes. Off the stage, Valentineуs tech Mike Buffa has an Ernie Ball Volume pedal that he controls to blend the mixture between Valentineуs two amp setup that includes a Matchless Independence 35 and a Divided by 13 RSA 23."

photos by Chris Kies

Pure nickel wound strings designed to capture classic tones. Available in popular gauges (9s and 10s), these strings are intended to offer rich, warm tones and longer string life.

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Big New York may have six strings, but he’s leading from the low end.

Bandleading on bass offers a unique challenge. Here’s how one player rises to the occasion.

Bassists are natural leaders, both rhythmically and harmonically, but filling the foundational function doesn’t always lend itself to becoming an actual bandleader or solo artist. For most of us, that’s just fine. We’re perfectly happy holding it down and creatively keeping things together. (Of course there are plenty of exceptions: Stanley Clarke, Les Claypool, Meshell Ndegeocello, Thundercat, and Victor Wooten, to name a few.)

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Foo Fighters’ Chris Shiflett Rig Rundown [2024]
- YouTube

The Foos’ guitarist and intrepid Shred With Shifty host opens the guitar garage for his current tour and details his brand-new pedal setup.

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This Delgado 6-string tres reflects the instrument’s global history. It’s made with a Sitka spruce top, Mexican rosewood back and sides, a Macassar ebony bridge, African ebony fretboard, and African mahogany neck.

Our columnist traces the history of the 6-string Cuban tres—from Africa, to Cuba, to the top of American country music.

I love that I was taught by my father and grandfather to build a variety of string instruments. I have continued to do this—I have built so many different types, and I learn from each one. I am currently building a nanga, a rectangular, harp-like African instrument played by the Ganda people of Uganda.

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