Gateway to Helix, or a wireless wonderland of tone?
Dynamite price for the number of effects and amps. Wireless performance is solid. Visually appealing and effective interface.
Polycarbonate chassis might not be most road-worthy. Not enough power for some advanced DSP-intensive effects.
Line 6 POD Go Wireless
line6.com
I fondly remember the first-gen POD from Line 6. It didn't look like anything else. And it was packed with way more features and effects than my novice's sense of tone could comprehend. It had amp models based on units I'd only read about and offered a fantastic portable and quiet solution to practicing. Heck, Pete Anderson even used a pair of them on stage as recently as 2014 when we caught up with him for a Rig Rundown. And if it's good enough for Mr. Anderson...
Fast forward to the newly released POD Go Wireless. It shares a lot of digital DNA with company's newer flagship Helix processors. The interface is intuitive with effective visual representations of every part of the virtual signal chain. With a wireless unit this might be one of the best accessibly priced digital processors around.
I've Got a Blank Space Where My Board Should Be
One of the primary benefits of any good digital modeler, profiler is the ability to better understand how each element of your chain interacts with your gear. The POD Go takes a bit of the guesswork out by automatically placing a few components on your virtual board but leaves a lots of potential for experimentation.
When you load up a blank preset it starts with wah, volume, effects loop, amp, cab, and EQ blocks. The four open spots (two before the amp and two at the end of the chain) are available for gain effects, modulation, reverb, delay, or any of the additional 206 effects that come loaded with the unit. (Line 6 regularly offers free amp, cab, and effects updates). Although a few elements always remain in place, the remaining slots can be rearranged with ease.
I love the phasers and effected delays so much that I designed a board with four of them just to see how much syrupy oscillation I could drum up.
Even Better Than the Real Thing?
The POD Go Wireless offers a total of 10 "blocks" (the amp, cab, and effects elements that make up a signal chain). That should cover the needs of most players the POD Go Wireless is designed for. The unit itself is not quite as road-rugged and portable as the HX Stomp, but the built-in treadle and easy setup are huge advantages. In terms of DSP power, the POD Go has a little less processing power that the HX Stomp and slightly less than half the power of a full Helix Floor model. It's missing a few of the more DSP-intensive effects in the Helix line, like the dynamic hall reverb and the recent polyphonic additions, but that doesn't mean there are loads of very good-to-excellent sounds at your disposal.
I A/B-ed a few of the effects with my HX Stomp and found nearly all of them to be excellent equivalents. And after experimenting with the stock cabs and a few free impulse responses I found online (there is a sizable online community of IR creators), I felt I could match nearly any tone I could get out of my Helix Stomp. The POD Go Wireless's range of available amps are impressive—with accurate Fender, Vox, Marshall, Dumble, Revv, and Orange models along with original Line 6 designs. When it comes to effects, the modulation and delay sections are where I feel the POD Go really shines. I love the phasers and effected delays so much that I designed a board with four of them just to see how much syrupy oscillation I could drum up.
Obviously, the main difference between the POD Go Wireless and the standard POD Go is the addition of a G10 wireless unit. After plugging the included dongle into the guitar input of the POD Go Wireless, the unit and the guitar paired almost instantly. I'd rank it as one of the most pain-free wireless setups I've experienced. And as expected, the G10 was rock solid. (All of the sound clips for this review were recorded with the G10).
The Verdict
Line 6 has established the Helix ecosystem as a pro-level sound-creation environment for players that favor the flexibility of a digital setup. Does the POD Go Wireless match the Helix's performance power? Not quite. But it comes impressively close—particularly for the price. It gives you access to some of Helix's very best tones, offers numerous I/O options, a well-designed, intuitive interface, and a handy treadle. It's not quite as sturdy as the Helix units, and if you're looking for a rig more suited to regular road abuse, the HX Stomp is likely more your jam. But overall, the POD Go is one of the best entry-level multi-effects units in existence, and the inclusion of the G10 wireless makes it an even greater value. And even though my nostalgic side would love to see a retro kidney-bean version, the POD Go Wireless represents real progress, and an evolution of basically great and practical tone-creation tool.
- Line 6 HX Effects Review - Premier Guitar ›
- Line 6 POD HD Pro X Review - Premier Guitar ›
- Line 6 POD HD500 Review - Premier Guitar ›
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vai—plus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Tool’s Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimson’s highly influential ’80s albums Discipline, Beat, and Three of a Perfect Pear. PG’s editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrian’s decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.