The Premier Guitar Eventide MicroPitch Review.
Isolates a classic studio effect in compact pedal form. Great stereo effects. Envelope-controlled modulation enhances interactive feel.
A bit of a learning curve. Expensive.
$279
Eventide MicroPitch Delay
eventideaudio.com
When introduced in 1975, the Eventide H910 Harmonizer was adopted by producers who recognized the signal-thickening power of this very early digital pitch shifter, delay, and modulator. But it didn't take long before some users discovered that two harmonizers might be better than one. And by setting a pair of H910s to shift the pitch of the original signal by a few cents in opposite directions, adding a short delay to each signal, and then panning them, producers successfully fattened and expanded everything they ran through it—from vocals to snare drums.
Eddie Van Halen made the dual Harmonizer strategy particularly popular for guitarists. But as cool and legendary as that technique is, Eventide has never made a dual harmonizer available in a compact pedal format—until now. Eventide's new MicroPitch Delay isolates the fine-tune pitch shifting and delay functionality from the rackmount Harmonizers and delivers vintage-flavored modulation, totally freaked-out stereo effects, and lot of sounds in between.
Layers of Possibilities
The essential recipe behind the MicroPitch Delay is simple: run an input signal through two separate pitch shifters with discrete delay time settings that can be tuned 50 cents sharp or flat. Add mix and modulation controls along the way, and suddenly things sound very expansive.
The MicroPitch Delay offers plenty of excitement when plugged into a single amp. But it really delivers in stereo.
Mild Goes Wild
By playing around with subtle tweaks of pitch, modulation, and delay-time controls, you can uncover spacious rotating speaker–style tones, retro flanger vibes, and warbly delay settings that sound great in small or liberal dosages. As you work your way into the deeper end of those waters, you'll discover warped-tape vibrato sounds and even vertigo-inducing Shepard tone/barber pole tones. The addition of envelope-controlled modulation makes the pedal feel even more interactive and responsive, which is especially fun when digging into its wilder side.
The MicroPitch's layout is similar to Eventide's other recent compact pedal offerings, the Blackhole and the UltraTap. Six knobs control both primary and secondary functions, the latter of which are accessed by pressing a small LED button. The primary controls are for pitch and modulation, and the secondary controls tweak the twin delay signals, so you'll likely be jumping back and forth between the two modes a lot. This isn't the most intuitive effect at first, and it can be easy to get lost as you switch between modes—particularly because there are no readouts like Eventide's larger effects. But it wasn't long before I could use my ears to reliably navigate settings.
The MicroPitch Delay offers plenty of excitement when plugged into a single amp. But it really delivers in stereo. Some settings, in fact, like high-delay feedback, can sound a little flat in mono. But a stereo spread allows every facet of your signal to develop in a fuller, more immersive way. By tweaking the two delay-time settings you can even achieve polyrhythmic Frippertronics- and loop-style effects that become endless rabbit holes for experimental noodling.
The Verdict
Whether you're looking for subtle ways to make your guitar tone pop with vintage flair, add dimension with stereo, or achieve totally freaked-out, modulated pitch mismatches, the MicroPitch has you covered. There's a bit of a learning curve, but the smart, simple controls and settings are easy enough to figure out and manipulate on the fly. And even though many of the sounds you'll seek and uncover are familiar parts of the modern music landscape, there are plenty of surprises just a few tweaks away.
Eventide MicroPitch Delay First Look
- 4 Unconventional Effects and How To Use Them - Premier Guitar ›
- Supro Delay Review - Premier Guitar ›
- Eventide PitchFactor Review - Premier Guitar ›
- Eventide UltraTap Review - Premier Guitar ›
- 4 Unconventional Effects and How To Use Them - Premier Guitar ›
- 4 Unconventional Effects and How To Use Them - Premier Guitar ›
Lollar Pickups introduces the Deluxe Foil humbucker, a medium-output pickup with a bright, punchy tone and wide frequency range. Featuring a unique retro design and 4-conductor lead wires for versatile wiring options, the Deluxe Foil is a drop-in replacement for Wide Range Humbuckers.
Based on Lollar’s popular single-coil Gold Foil design, the new Deluxe Foil has the same footprint as Lollar’s Regal humbucker - as well as the Fender Wide Range Humbucker – and it’s a drop-in replacement for any guitar routed for Wide Range Humbuckers such as the Telecaster Deluxe/Custom, ’72-style Tele Thinline and Starcaster.
Lollar’s Deluxe Foil is a medium-output humbucker that delivers a bright and punchy tone, with a glassy top end, plenty of shimmer, rich harmonic content, and expressive dynamic touch-sensitivity. Its larger dual-coil design allows the Deluxe Foil to capture a wider frequency range than many other pickup types, giving the pickup a full yet well-balanced voice with plenty of clarity and articulation.
The pickup comes with 4-conductor lead wires, so you can utilize split-coil wiring in addition to humbucker configuration. Its split-coil sound is a true representation of Lollar’s single-coil Gold Foil, giving players a huge variety of inspiring and musical sounds.
The Deluxe Foil’s great tone is mirrored by its evocative retro look: the cover design is based around mirror images of the “L” in the Lollar logo. Since the gold foil pickup design doesn’t require visible polepieces, Lollartook advantage of the opportunity to create a humbucker that looks as memorable as it sounds.
Deluxe Foil humbucker features include:
- 4-conductor lead wire for maximum flexibility in wiring/switching
- Medium output suited to a vast range of music styles
- Average DC resistance: Bridge 11.9k, Neck 10.5k
- Recommended Potentiometers: 500k
- Recommended Capacitor: 0.022μF
The Lollar Deluxe Foil is available for bridge and neck positions, in nickel, chrome, or gold cover finishes. Pricing is $225 per pickup ($235 for gold cover option).
For more information visit lollarguitars.com.
A 6L6 power section, tube-driven spring reverb, and a versatile array of line outs make this 1x10 combo an appealing and unique 15-watt alternative.
Supro Montauk 15-watt 1 x 10-inch Tube Combo Amplifier - Blue Rhino Hide Tolex with Silver Grille
The two-in-one “sonic refractor” takes tremolo and wavefolding to radical new depths.
Pros: Huge range of usable sounds. Delicious distortion tones. Broadens your conception of what guitar can be.
Build quirks will turn some users off.
$279
Cosmodio Gravity Well
cosmod.io
Know what a wavefolder does to your guitar signal? If you don’t, that’s okay. I didn’t either until I started messing around with the all-analog Cosmodio Instruments Gravity Well. It’s a dual-effect pedal with a tremolo and wavefolder, the latter more widely used in synthesis that , at a certain threshold, shifts or inverts the direction the wave is traveling—in essence, folding it upon itself. Used together here, they make up what Cosmodio calls a sonic refractor.
Two Plus One
Gravity Well’s design and control set make it a charm to use. Two footswitches engage tremolo and wavefolder independently, and one of three toggle switches swaps the order of the effects. The two 3-way switches toggle different tone and voice options, from darker and thicker to brighter and more aggressive. (Mixing and matching with these two toggles yields great results.)
The wavefolder, which has an all-analog signal path bit a digitally controlled LFO, is controlled by knobs for both gain and volume, which provide enormous dynamic range. The LFO tremolo gets three knobs: speed, depth, and waveform. The first two are self-explanatory, but the latter offers switching between eight different tremolo waveforms. You’ll find standard sawtooth, triangle, square, and sine waves, but Cosmodio also included some wacko shapes: asymmetric swoop, ramp, sample and hold, and random. These weirder forms force truly weird relationships with the pedal, forcing your playing into increasingly unpredictable and bizarre territories.
This is all housed in a trippy, beautifully decorated Hammond 1590BB-sized enclosure, with in/out, expression pedal, and power jacks. I had concerns about the durability of the expression jack because it’s not sealed to its opening with an outer nut and washer, making it feel more susceptible to damage if a cable gets stepped on or jostled near the connection, as well as from moisture. After a look at the interior, though, the build seems sturdy as any I’ve seen.
Splatterhouse Audio
Cosmodio’s claim that the refractor is a “first-of-its-kind” modulation effect is pretty grand, but they have a point in that the wavefolder is rare-ish in the guitar domain and pairing it with tremolo creates some pretty foreign sounds. Barton McGuire, the Massachusetts-based builder behind Cosmodio, released a few videos that demonstrate, visually, how a wavefolder impacts your guitar’s signal—I highly suggest checking them out to understand some of the principles behind the effect (and to see an ’80s Muppet Babies-branded keyboard in action.)
By folding a waveform back on itself, rather than clipping it as a conventional distortion would, the wavefolder section produces colliding, reflecting overtones and harmonics. The resulting distortion is unique: It can sound lo-fi and broken in the low- to mid-gain range, or synthy and extraterrestrial when the gain is dimed. Add in the tremolo, and you’ve got a lot of sonic variables to play with.
Used independently, the tremolo effect is great, but the wavefolder is where the real fun is. With the gain at 12 o’clock, it mimics a vintage 1x10 tube amp cranked to the breaking point by a splatty germanium OD. A soft touch cleans up the signal really nicely, while maintaining the weirdness the wavefolder imparts to its signal. With forceful pick strokes at high gain, it functions like a unique fuzz-distortion hybrid with bizarre alien artifacts punching through the synthy goop.
One forum commenter suggested that the Gravity Well effect is often in charge as much the guitar itself, and that’s spot on at the pedal's extremes. Whatever you expect from your usual playing techniques tends to go out the window —generating instead crumbling, sputtering bursts of blubbering sound. Learning to respond to the pedal in these environments can redefine the guitar as an instrument, and that’s a big part of Gravity Well’s magic.
The Verdict
Gravity Well is the most fun I’ve had with a modulation pedal in a while. It strikes a brilliant balance between adventurous and useful, with a broad range of LFO modulations and a totally excellent oddball distortion. The combination of the two effects yields some of the coolest sounds I’ve heard from an electric guitar, and at $279, it’s a very reasonably priced journey to deeply inspiring corners you probably never expected your 6-string (or bass, or drums, or Muppet Babies Casio EP-10) to lead you to.
Kemper and Zilla announce the immediate availability of Zilla 2x12“ guitar cabs loaded with the acclaimed Kemper Kone speaker.
Zilla offers a variety of customization to the customers. On the dedicated Website, customers can choose material, color/tolex, size, and much more.
The sensation and joy of playing a guitar cabinet
Sometimes, when there’s no PA, there’s just a drumkit and a bass amp. When the creative juices flow and the riffs have to bounce back off the wall - that’s the moment when you long for a powerful guitar cabinet.
A guitar cabinet that provides „that“ well-known feel and gives you that kick-in-the-back experience. Because guitar cabinets can move some serious air. But these days cabinets also have to be comprehensive and modern in terms of being capable of delivering the dynamic and tonal nuances of the KEMPER PROFILER. So here it is: The ZILLA 2 x 12“ upright slant KONE cabinet.
These cabinets are designed in cooperation with the KEMPER sound designers and the great people from Zilla. Beauty is created out of decades of experience in building the finest guitar cabinets for the biggest guitar masters in the UK and the world over, combined with the digital guitar tone wizardry from the KEMPER labs. Loaded with the exquisit Kemper Kone speakers.
Now Kemper and Zilla bring this beautiful and powerful dream team for playing, rehearsing, and performing to the guitar players!
ABOUT THE KEMPER KONE SPEAKERS
The Kemper Kone is a 12“ full range speaker which is exclusively designed by Celestion for KEMPER. By simply activating the PROFILER’s well-known Monitor CabOff function the KEMPER Kone is switched from full-range mode to the Speaker Imprint Mode, which then exactly mimics one of 19 classic guitar speakers.
Since the intelligence of the speaker lies in the DSP of the PROFILER, you will be able to switch individual speaker imprints along with your favorite rigs, without needing to do extensive editing.
The Zilla KEMPER KONE loaded 2x12“ cabinets can be custom designed and ordered for an EU price of £675,- UK price of £775,- and US price of £800,- - all including shipping (excluding taxes outside of the UK).
For more information, please visit kemper-amps.com or zillacabs.com.