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Rig Rundown: All Time Low

The SoCal punk outfit rocks a mix of classic Fender and ESP instruments with cutting-edge Kemper gear.

Here is another Fender Classic Series ’72 Telecaster Deluxe that gets used by Gaskarth.

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Guitarist Scott Metzger and his Lollar P-90-loaded Creston T-style onstage with LaMP, next to organist Ray Paczkowski.

Photo by Andrew Blackstein

The guitarist, who splits his time between the groove-driven jam band supergroup and Joe Russo’s Almost Dead, energizes the Tele vernacular on One of Us.

“Night after night playing next toDean Ween was really my foundation for learning what it means to be a lead guitarist, and how to do a gig, and the pacing of a gig, and a lot of things that I still consider really, really important lessons,” says guitarist Scott Metzger. He’s thinking back to his formative years in the small town of New Hope, Pennsylvania, about 40 miles north of Philadelphia and across the river from his hometown of Lambertville, New Jersey. It was there, on the intimate, low-ceilinged stage at eclectic musical outpost John & Peter’s, that the guitarist cut his teeth next to the Ween co-founder—real name Mickey Melchiondo—as a member of Chris Harford’s Band of Changes, which Metzger joined at just 17 years old.

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The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.

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Our columnist’s silver-panel Fender Bandmaster.

How this longstanding, classic tube amp design evolved from its introduction in 1953.

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Axe-wielders Jake Cinninger and Brendan Bayliss take us through their current gear garages.

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