A positively luxurious stomp nails the liquid textures of brown-panel Deluxe bias tremolo.
Top-shelf quality. Immersive, liquid, trem' textures that meld seamlessly with guitar and amp tones. Elegantly simple but capable control set.
Expensive.
$430
Origin Effects Deluxe61 Bias Tremolo
origineffects.com
Editor's note: Deluxe61 Amp Tremolo & Drive is the updated name of the Origin Effects pedal that debuted under the name REVIVALTrem.
Some gear nerd debates get pretty pointless. Disputing the merits of different op-amps in two late-model RATs? Maybe that time would be better spent practicing. But tremolo circuits are another matter. The differences between bias, optical, and harmonic tremolo can be audible and profound. Each has its merits and champions. But in terms of soul and musical utility, it's hard to beat bias tremolo's soft, contoured pulses and mellow-to-throbbing range.
Origin Effects' all-analog Deluxe61 is based on the power tube bias tremolo from the brown-panel Fender Deluxeāa circuit many players regard as the silkiest ever built. Authentically reproducing such a circuit is no task for the timid. Then again, Origin made its name reproducing the topology and performance of the legendary UREI 1176 studio compressor in stompbox form. So it's no surprise they would tackle an effect so nuanced and full of sonic intangibles. What's impressive is how the Deluxe61 nails those elusive, intoxicating bias tremolo colors.
Wave-Riding Luxury Liner
If you love the sense of craft that goes missing in much modern technology, the Deluxe61 will be a treat. It's built almost absurdly well by stompbox standards. Ever wondered what the Rolls-Royce of pedals looks and feels like? This is certainly a contender.
A two-tiered circuit board accommodates the many high-quality components that make up the modulation and drive circuits. (The latter is derived from the company's excellent Revival Drive.) Soft-relay footswitches and jacks are all chassis-mounted independent of the circuit boards. The enclosure feels close to bulletproof. Clearly, the Deluxe61 was built for heavy touring and meant to be serviced in the unlikely event a component fails.
The control set is smart, logical, and simple in practice. Even the two footswitches, which cleverly enable operation of the drive channel independent of the tremolo, are thoughtfully situated toward the outboard reaches of the enclosureāreducing the risk of hitting both switches simultaneously.
There may be more radical tremolos, but few achieve such musical seamlessness.
Watery Wobbles
In some respects, it's easy to characterize the modulations the Deluxe61 produces. They're exceptionally smooth, liquid, and very dreamy. But they are also beguilingly complex. Some stronger settings subtly suggest pitch shifting and phasing without suffering the dynamic penalties those effects can incurāa remarkable bit of sonic trickery. A/B'd against the optical tremolo in a recent-vintage '65 Twin Reverb reissue, the Origin is clearly more complex and watery, its undulations less binary and harsh, and its effects on picking dynamics less intense. Compared to a near-50 year old Vibro Champ that utilizes a preamp-bias tremolo circuit, the Origin nails the very best of the vintage amp's sounds and responsiveness, but sounds richer and offers much more expansive fine-tuning range in the pots.
There are trade-offs for all this intoxicating aqueousness. The Deluxe61's most intense modulations might not be intense enough for players that like the hard pulses of a Vox Repeater circuit or the angular textures of an optical black-panel Fender tremolo. Nor does the Deluxe61 get as woozy as a Magnatone-style circuit (a harmonic tremolo to which brown-panel Deluxe tremolo is often likened). But the payoff is clarity and presence that makes nuanced, complex, and melodic musical passages sound perfectly interwoven with the modulations. There may be more radical tremolos, but few achieve such musical seamlessness.
Then there's the versatility afforded by the extra modulation and drive controls. The 3-position "multi" toggle significantly extends the range of the speed control, enabling super-fast flutters amp trem' can't deliver and giving expressive fodder to experimental tremolo fans. Another toggle activates a harder, almost triangle-shaped wave to generate more intense modulations. The post-drive EQ switch is invaluable for making the effect more subdued or pronounced when switching between dark and bright amps or pickups, but also offers a flatter-response option if you want to route directly to a recording interface or a desk. The drive channel, meanwhile, is deliciousāgenerating sweet and malleable low-to mid-gain drive and body that you may never want to remove from your tone equation, tremolo or not.
The Verdict
The Deluxe61 is expensive at 430 bucks. But the quality is absolutely top shelf and the sounds are, too. What's more, you can enjoy the benefits of bias trem without the extra wear and tear that bias trem circuits inevitably inflict on your tubes. If you're on the fence, perhaps those cost savings can help justify luxuriating in this pedal's priceless tones.
Origin Effects Deluxe61 Tremolo & Drive Demo | First Look
[Updated 10/6/21]
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Mooer's Ocean Machine II is designed to bring superior delay and reverb algorithms, nine distinct delay types, nine hi-fidelity reverb types, tap tempo functionality, a new and improved looper, customizable effect chains, MIDI connectivity, expression pedal support, and durable construction.
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be āfrozen,ā creating static ambient drones, an effect that sounds particularly impressive considering the pedalās DSP upgrades.
While the original Ocean Machineās looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with OceanMachine IIās other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the deviceās āPlay Mode.ā Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter āPatch Mode,ā in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to threepresets, resulting in a total of 24 save slots.
The pedalās versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsendās tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsendās performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher-quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsendās original device. As per MOOERās typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
Key Features
- Improved DSP algorithms for superior delay and reverb quality
- Nine distinct delay types that support up to 2 seconds of delay time: digital, analog, tape, echo,liquid, rainbow, crystal, low-bit, and fuzzy delays
- Nine hi-fidelity reverb types: room, hall, plate, distorted reverb, flanger reverb, filter reverb,reverse, spring, and modulated reverb
- Freeze feedback feature, supported for both delay and reverb effects
- Tap tempo footswitch functionality
- New and improved looper supporting up to 120 seconds of recording time, along withoverdubbing capabilities, half-speed, and reverse effects.
- Customizable order of effects in parallel or series chains
- Flexible bypass options supporting both true bypass and DSP bypass
- Large LCD screen, controllable through twelve easy-to-use physical knobs for real-time parameter adjustments.
- Adjustable Global EQ Settings
- Full stereo inputs and outputs
- Synchronizable and mappable MIDI In and Thru support
- USB-C port for firmware updates
- External expression pedal support via TRS cable
- Support for the MOOER F4 wireless footswitch (sold separately)
- Designed for durability and reliability in both studio and live environments.
The Ocean Machine will be available from official MOOER dealers and distributors worldwide on September 10, 2024.
For more information, please visit mooeraudio.com.
MOOER Ocean Machine II Official Demo Video - YouTube
Some of us love drum machines and synths, and others donāt, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But thatās not to say he hasnāt made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the bandās career is best. Some of us love drum machines and synths and others donāt, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmarkāincluding delay time, feedback, and independent rate and depth knobs for the modulationāplus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ā80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.